Tuesday, January 17, 2012

The End of Days: Armageddon and Prophecies of the Return (Earth Chronicles)

  • ISBN13: 9780061239212
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
WHEN A BURNED-OUT FORMER NEW YORK CITY COP NAMED JERICHO THWARTSA HIT ON A MYSTERIOUS AND FOREBODING STRANGER, ALL HELL BREAKSLOOSE. WHILE INVESTIGATING THE CRIME, HE FINDS HIMSELF THERELUCTANT SAVIOUR OF THE BEAUTIFUL AND TERRIFIED CHRISTINE YORK,WHOSE DESTINY INVOLVES DEATH, THE DEVIL AND THE FATE OF MANKIND.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatica! n when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impac! t. You're left instead to savor the verbal and physical sparri! ng betwe en Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff ShannonAll hell breaks loose when Arnold Schwarzenegger battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop is assigned to security detail for a mysterious stranger (Gabriel Byrne), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (Kevin Pollak) save the life of the beautiful and terrified Christine York (Robin Tunney), whose destiny involves death, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever!After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the ! big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of! Days is a loud, aggravating movie that would be entertain! ing if i t were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydiaâ€! ™s only hope of tracking him down lies with her stubborn, globe-trotting daughter, Kate, Stone’s former lover.

Kate is about to step right into the plotters’ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the b! irth of a child who will, 20 years later, become the chosen b! ride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulti! ng in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff ShannonEND OF DAYS All hell breaks loose when ARNOLD SCHWARZENEGGER battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop, is assigned to security detail for a mysterious stranger (GABRIEL BYRNE), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (KEVIN POLLAK) save the life of the beautiful and terrified Christine York (ROBIN TUNNEY), whose destiny involves death, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever! VIRUS Jamie Lee Curtis (Halloween, True Lies) plays the navigator of a tugboat crew that loses its cargo during a hurri! cane. In the calm eye of the storm, they come across a Russian! researc h ship floating dead in the water. Boarding the vessel, they initially believe it to be deserted - but they soon realize they're not alone. First they discover a terrified survivor (Joanna Pacula, Tombstone); then they find that the ship has been taken over by a ruthless alien intelligence. Now the small band must fight for their lives against a force that has come to claim Earth for its own, and creates bio-mechanical monstrosities with one goal: eliminating the virus called humans.

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydia’s only hope of tracking him down lies wi! th her stubborn, globe-trotting daughter, Kate, Stone’s former lover.

Kate is about to step right into the plotters’ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydia’s only ! hope of tracking him down lies with her stubborn, globe-trotti! ng daugh ter, Kate, Stone’s former lover.

Kate is about to step right into the plotters’ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

Why is it that our current twenty-first century A.D. is so similar to the twenty-first century B.C.?
Is history destined to repeat itself? Will biblical prophecies come true, and if so, when?

It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnakiâ€"the extraterrestrials who fashioned man and gave mankind civilization and religion. In this ! new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.

In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Futureâ€"that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.

In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.


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Black Sheep (Unrated)

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CLICK Espresso Protein Drink, Mocha (14-Servings), 15.8-Ounce Canister

  • One 16-ounce canister protein drink mix
  • Features a double shot of espresso coffee, 15 grams of protein, 23 vitamins & minerals
  • Contains 14 large, 12-14 ounce servings
  • Enjoy creamy hot or iced cold
You know the feeling. You meet someone newâ€"at a party or at workâ€"and you just hit it off. There is an instant sense of camaraderie.
 
In a word, you “click.”
 
From the bestselling authors of Sway, Click is a fascinating psychological investigation of the forces behind what makes us click with certain people, or become fully immersed in whatever activity or situation we’re involved in.  
 
From two co-workers who fall head over heels for each other while out to dinner and are married a month later (and fifteen years later remain just as in love), to a team of scientists who changed the world with the! magic of their invention, these kinds of peak experiences, when our senses are completely focused on the moment, are something that individualsâ€"and companiesâ€"strive to achieve. After all, when you’re in the “zone,” you’re happier and more productive. Why is it that we click in certain situations and with certain people, but not with others? Can this kind of magical connection be consciously encouraged?  Is there a way to create such peak experiences, whether on a date or in your job? 
 
According to Ori and Rom Brafman, there is. 
 
In a powerful, story-driven narrative that weaves together cutting-edge research in psychology and sociology, the Brafmans explore what it means to “click”: the common factors present when our brain and senses are fully engaged. They identify five “accelerators” that increase the likelihood of these kinds of magic connections in our work and relationships.
  
From actors vying for a role on a! popular TV series to police officers negotiating with hostage! takers, we learn how one can foster an environment where we can click with another person and shape our thinking, behavior, and emotions.
 
A fascinating journey into how we engage with the world around us, Click will transform our thinking about those moments when we are in the zone and everything seems to fall into place.
 
Acclaim for Sway:

“A provocative new book about the psychological forces that lead us to disregard facts or logic and behave in surprisingly irrational ways.” â€"New York Times
 
“A unique and compulsively readable look at unseen behavioral trends.” â€"Fortune

"A breathtaking book that will challenge your every thought, Sway hovers above the intersection of Blink and Freakonomics."--Tom Rath, coauthor of the New York Times #1 bestseller How Full Is Your Bucket?

“[An] engaging journey through the workingsâ€"and failingsâ€"of the mind…Thei! r stories of senselessness…are as fascinating as the lessons we learn from them.” â€"Fast Company

"Count me swayed--but in this instance by the pull of entirely rational forces. Ori and Rom Brafman have done a terrific job of illuminating deep-seated tendencies that skew our behavior in ways that can range from silly to deadly. We'd be fools not to learn what they have to teach us."--Robert B. Cialdini, author of New York Times bestseller Influence

"If you think you know how you think, you'd better think again! Take this insightful, delightful trip to the sweet spot where economics, psychology, and sociology converge, and you'll discover how our all-too-human minds actually work."--Alan M. Webber, founding editor of Fast Company


From the Hardcover edition.A harried workaholic, Michael Newman (Adam Sandler) doesn't have time for his wife (Kate Beckinsale) and children, not if he's to impress his ungrateful boss ! and earn a well-deserved promotion. So when he meets Morty (Ch! ristophe r Walken), a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results. But as Michael gleefully mutes, skips and scans past his family and his friends, the remote gradually takes over his life and begins to program him, in this fast, funny and out-of-control comedy adventure.Click is a high-concept, low-brow variation on It's a Wonderful Life that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after The Wedding Singer and The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-sch! ool pranks. Sandler's "family comes first" sentiment somehow manages to survive the onslaught of rude, crude attitude that Sandler brings to his role as Michael Newman, a workaholic architect who learns the hard way that, well, family comes first. This happens after Newman gets a magical remote control from Morty (Christopher Walken, the film's one and only highlight), an eccentric oddball in the "Beyond" section of a Bed, Bath & Beyond store who's a devilish version of Wonderful Life's benevolent guardian angel. But Sandler's no James Stewart as he uses his techno-marvel (complete with a DVD-like "life menu") to fast-forward through his life's most unpleasant moments, only to realize that he's been missing lots of good stuff, too. With Kate Beckinsale as Newman's neglected wife, impressive older-age make-ups by Rick Baker and a lot of digital wizardry to beef up the humor, Click won't disappoint Sandler's established fan base, and its $40 million opening week! end offered ample proof that Sandler's box-office clout remain! s remark ably consistent.--Jeff Shannon

Stills from Click (click for larger image)

!






Farmer Brown has a problem. His cows like to type. All day long he hears

Click, clack, moo.

Click, clack, moo.

Click, clack, moo.

But Farmer Brown's problems REALLY begin when his cows start leaving him notes...Come join the fun as a bunch of literate cows turn Farmer Brown's farm upside-down! This package includes a paperback book along with a CD of country music star Randy Travis reading this New York Times bestseller!The literacy rate in Farmer Brown's barn goes up considerably once his cows find an old typewriter and begin typing. To the harassed farmer's dismay, his communicative cows quickly become contentious:

Dear Farmer Brown,
The barn is very cold at night. We'd like some electric blankets.
Sincerely,
The Cows

When he refuses to comply with their demands, the cows take action. Farmer Brown finds another note on the barn door: "Sorry. We're closed. No mi! lk today." Soon the striking cows and Farmer Brown are forced! to reac h a mutually agreeable compromise, with the help of an impartial party--the duck. But this poor, beleaguered farmer's "atypical" troubles are not over yet!

This hilarious tale will give young rebels-in-the-making a taste of the power of peaceful protest and the satisfaction of cooperative give and take. Witty watercolors by award-winning illustrator Betsy Lewin (Snake Alley Band, Araminta's Paint Box) will make this a favorite for one and all, even if words such as "ultimatum" and "neutral" throw the younger set. (Ages 5 to 8) --Emilie CoulterA harried workaholic, Michael Newman (Adam Sandler) doesn't have time for his wife (Kate Beckinsale) and children, not if he's to impress his ungrateful boss and earn a well-deserved promotion. So when he meets Morty (Christopher Walken), a loopy sales clerk, he gets the answer to his prayers: a magical remote that allows him to bypass life's little distractions with increasingly hysterical results. ! But as Michael gleefully mutes, skips and scans past his family and his friends, the remote gradually takes over his life and begins to program him, in this fast, funny and out-of-control comedy adventure.Click is a high-concept, low-brow variation on It's a Wonderful Life that will have Adam Sandler fans laughing even as it leaves Frank Capra spinning in his grave. In their third collaboration (after The Wedding Singer and The Waterboy, Sandler and director Frank Coraci aim at the lowest common denominator and consistently hit their target, from scary casting (David Hasselhoff as Sandler's shallow, sexist boss; Sean Astin in a tight red Speedo) to a rancid menu of fart jokes, fat jokes, oversexed dogs, and other attempts at humor that rarely rise above the level of grade-school pranks. Sandler's "family comes first" sentiment somehow manages to survive the onslaught of rude, crude attitude that Sandler brings to his role as Michael Newman, a wor! kaholic architect who learns the hard way that, well, family c! omes fir st. This happens after Newman gets a magical remote control from Morty (Christopher Walken, the film's one and only highlight), an eccentric oddball in the "Beyond" section of a Bed, Bath & Beyond store who's a devilish version of Wonderful Life's benevolent guardian angel. But Sandler's no James Stewart as he uses his techno-marvel (complete with a DVD-like "life menu") to fast-forward through his life's most unpleasant moments, only to realize that he's been missing lots of good stuff, too. With Kate Beckinsale as Newman's neglected wife, impressive older-age make-ups by Rick Baker and a lot of digital wizardry to beef up the humor, Click won't disappoint Sandler's established fan base, and its $40 million opening weekend offered ample proof that Sandler's box-office clout remains remarkably consistent. --Jeff ShannonClick Espresso Protein Drink is the all-in-one energy drink with a rich mocha flavor. It contains 23 vitamins and minerals, a double shot! of espresso, 15g protein, and 120 calories in a 12-ounce serving. No artificial colors or flavors. Click is a tasty alternative to sugary coffee and energy drinks.

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Monday, January 16, 2012

Beverly Hills Chihuahua

  • Get ready for a hilarious fun-filled adventure starring Chloe (voiced by Drew Barrymore), a diamond-clad ultra-pampered Beverly Hills Chihuahua who gets lost while on vacation in Mexico. Papi (voiced by George Lopez), an amusing Chihuahua who's crazy about Chloe, springs into action and heads south of the border to rescue her, while Chloe gets help from Delgado (voiced by Andy Garcia), her newfoun
Hotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What began as! a crusade to save one dog becomes a high stakes adventure as everyone around them starts to wonder- who let the dogs in?Everyone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Even though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch care and constant entertainment for all the dogs (as wel! l as a multitude of laughs from the audience). Unfortunately, ! Bruce's and Andi's devotion to the dogs eventually causes them to pass up what may be their last chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land them in separate group homes. Can social worker Bernie (Don Cheadle) somehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)











HOTEL FOR DOGS - DVD MovieHOTEL FOR DOGS - Blu-Ray MovieHotel For Dogs is a funny, heartwarming and inspiring animal adventure that shows how far love and imagination can take you. When 16-year old, Andi (Roberts), and her younger brother Bruce (Austin) find themselves in a foster home with a strict “no pets” policy, they must use their quick wit to find a new home for their dog, Friday. When they stumble into an abandoned hotel, they realize they can transform it into the perfect place for Friday- as well as all the strays in the city. What began as a crusade to save one dog becomes a high stakes adventure as everyone around them sta! rts to wonder- who let the dogs in? Everyone deserves a loving family, but foster kids Andi (Emma Roberts) and Bruce (Jake T. Austin) have been placed with a flaky couple who care more for their aspiring rock careers than their foster children. Even though Andi and Bruce's mischievous tendencies repeatedly get them into trouble, the siblings are essentially good kids who care deeply for one another and their secretly adopted dog Friday. After a close call with the local pound, the kids end up searching for Friday in an abandoned old hotel where they find several stray dogs seeking shelter. The kids' compassion for the homeless dogs compels them to begin caring for the strays and they soon join forces with three other local kids to take in strays from across the city. Bruce is a clever inventor whose innovative gadgets ensure top-notch care and constant entertainment for all the dogs (as well as a multitude of laughs from the audience). Unfortunately, Bruce's and Andi's devo! tion to the dogs eventually causes them to pass up what may be! their l ast chance for a better foster home. When the police storm the hotel and take all the dogs to the pound, the kids make a daring attempt to rescue the dogs that will likely land them in separate group homes. Can social worker Bernie (Don Cheadle) somehow convince the authorities, and perhaps a loving family, that the children were just doing what was right? Hotel for Dogs is a funny family film based on Lois Duncan's book of the same name and is appropriate for most ages 5 and older in spite of its PG rating for mild thematic elements, language, and some crude humor. --Tami Horiuchi




Stills from Hotel For Dogs (Click for larger image)









!

Rex, Hollywood's top K-9 star, gets lost and is reluctantly adopted by a young boy. His father, fire chief of a rundown station agrees to the adoption only if his defiant son takes care of the K-9. Little do they realize Rexx will not only bring them closer but also bring some much-needed faith back to the fire station.

Adolescence is an emotionally stormy time for kids, but it's especially so for Shane (Josh Hutcherson), a teenager being raised by single firefighter father Connor (Bruce Greenwood). Add the recent death of Shane's fire-captain uncle (Connor's brother) in the line of duty and the pending closure of their neighborhood "Dogpatch" fire station, and both Shane's propensity for skipping school and brooding! in his room and his father's obsession with work seem easily explainable. When a mutt called Dewey, really a very spoiled superstar dog named Rexxx who's been presumed dead after a parachuting stunt gone wrong, turns up in a burning building and is rescued by the Dogpatch crew, Connor puts Shane in charge of caring for the dog and finding its owner. Shane and Dewey clash immediately and Shane is extremely resentful toward both the dog and his father. However, Dewey's special talents (like skateboarding and trampoline jumping), combined with his good fire-fighting instincts, soon win the admiration and affection of Shane and the entire Dogpatch crew. A series of mysterious fires causes Shane and Connor to begin to really communicate and reconnect, but those fires also threaten their very lives. At the same time, Dewey's former owner discovers Dewey's true identity and demands the return of his superstar companion. An engaging dog story that explores the difficulties of grow! ing up and dealing with personal tragedy, Firehouse Dog! is a fu n family film that's rated PG due to some mildly crude humor (think potty jokes), language, and action peril. --Tami Horiuchi

Firehouse Dog Extras


Watch the firemen of Firehouse Dog take you behind the scenes in this exclusive clip.



Beyond Firehouse Dog


Kids & Family Animal Films
Firehouse Dog (Paper! back)
Movies for Tweens



Stills from Firehouse Dog









Fe! atures include:

•MPAA Rating: PG
•Format: ! DVD
•Runtime: 91 minutes
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Dungeons & Dragons Fantasy Roleplaying Game: An Essential D&D Starter (4th Edition D&D)

  • Double-sided dungeon map
  • Cardstock character sheets and power cards
  • 2 sheets of die-cut tokens for characters and monsters
  • 64-page book for Dungeon Masters, with the rules of the game, advice on how to run the game, and adv
  • 32-page book for players, with rules for character creation and a solo adventure
The best way to start playing the 4th Edition Dungeons & Dragons® Fantasy Roleplaying Game - in the classic D&D Red Box.

Designed for 1â€"5 players, this boxed game contains everything needed to start playing the Dungeons & Dragons Fantasy Roleplaying Game, including rules for creating heroes, advice for playing the Dungeon Master, a solo play adventure, and group-play adventure content. Learning the game has never been so easy!
 
Several different character races (dwarf, elf, halfling, and human) and classes (cleric, fighter,! rogue, and wizard) are presented, along with powers for each race and class. As the players’ heroes advance in level, they acquire new abilities, and the adventures become more challenging. This boxed game is designed for characters of levels 1â€"3.
 
Game components:
 
• 32-page book for players, with rules for character creation and a solo adventure
• 64-page book for Dungeon Masters, with the rules of the game, advice on how to run the game, and adventure content
• 2 sheets of die-cut tokens for characters and monsters
• Cardstock character sheets and power cards
• Double-sided dungeon map
• 6 polyhedral dice
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Friday, January 13, 2012

Finding Neverland

  • SOUNDTRACK FINDING NEVERLAND
Award winners Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL), Kate Winslet (ETERNAL SUNSHINE OF THE SPOTLESS MIND), Dustin Hoffman, and Julie Christie (TROY, HAMLET) star in this magical tale about one of the world's greatest storytellers and the people who inspired his masterwork "Peter Pan." Well-known playwright James M. Barrie (Depp) finds his career at a crossroads when his latest play flops and doubters question his future. Then by chance he meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work! An enchanting big-screen treat with an acclaimed cast of stars, FINDING NEVERLAND has been hailed as one of the year's best motion pictures!Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mar! k. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art) and Sylvia's mother (Julie Christie, McCabe and Mrs. Miller). This gentle silliness could have turned to treacle, but Depp and Winslet--along with newcomer Freddie Highmore as one of the boys--keep their feet ! on the earth while their eyes gaze into their dreams. Also fea! turing a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerAward winners Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL), Kate Winslet (ETERNAL SUNSHINE OF THE SPOTLESS MIND), Dustin Hoffman, and Julie Christie (TROY, HAMLET) star in this magical tale about one of the world's greatest storytellers and the people who inspired his masterwork @#Peter Pan.@# Well-known playwright James M. Barrie (Depp) finds his career at a crossroads when his latest play flops and doubters question his future. Then by chance he meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work! An enchanting big-screen treat with an acclaimed cast of stars, FINDING NEVERLAND has been hailed as one of the year's best motion pictures!Sweetness that doesn't turn saccharine is hard to fi! nd these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art) and Sylvia's mother (Julie Christie, McCabe and Mrs. Miller). This gentle silliness could have turned to treacle, but Depp and Winslet--along with newcomer F! reddie Highmore as one of the boys--keep their feet on the ear! th while their eyes gaze into their dreams. Also featuring a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerAward winners Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL), Kate Winslet (ETERNAL SUNSHINE OF THE SPOTLESS MIND), Dustin Hoffman, and Julie Christie (TROY, HAMLET) star in this magical tale about one of the world's greatest storytellers and the people who inspired his masterwork @#Peter Pan.@# Well-known playwright James M. Barrie (Depp) finds his career at a crossroads when his latest play flops and doubters question his future. Then by chance he meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work! An enchanting big-screen treat with an acclaimed cast of stars, FINDING NEVERLAND has been hailed as one of the year's best motion pictures!! Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art) and Sylvia's mother (Julie Christie, McCabe and Mrs. Miller). This gentle silliness could have turned to ! treacle, but Depp and Winslet--along with newcomer Freddie Hig! hmore as one of the boys--keep their feet on the earth while their eyes gaze into their dreams. Also featuring a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerAward winners Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL), Kate Winslet (ETERNAL SUNSHINE OF THE SPOTLESS MIND), Dustin Hoffman, and Julie Christie (TROY, HAMLET) star in this magical tale about one of the world's greatest storytellers and the people who inspired his masterwork "Peter Pan." Well-known playwright James M. Barrie (Depp) finds his career at a crossroads when his latest play flops and doubters question his future. Then by chance he meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work! An enchanting big-screen treat with an acclaimed cast of stars, FINDING NEVERLAND has been! hailed as one of the year's best motion pictures!Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art) and Sylvia's mother (Julie Christie, McCabe and Mrs. Miller! ). This gentle silliness could have turned to treacle, but! Depp an d Winslet--along with newcomer Freddie Highmore as one of the boys--keep their feet on the earth while their eyes gaze into their dreams. Also featuring a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerAward winners Johnny Depp (PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL), Kate Winslet (ETERNAL SUNSHINE OF THE SPOTLESS MIND), Dustin Hoffman, and Julie Christie (TROY, HAMLET) star in this magical tale about one of the world's greatest storytellers and the people who inspired his masterwork @#Peter Pan.@# Well-known playwright James M. Barrie (Depp) finds his career at a crossroads when his latest play flops and doubters question his future. Then by chance he meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work! An enchanting big-screen treat with an! acclaimed cast of stars, FINDING NEVERLAND has been hailed as one of the year's best motion pictures!Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art) and Sylvia! 's mother (Julie Christie, McCabe and Mrs. Miller). Thi! s gentle silliness could have turned to treacle, but Depp and Winslet--along with newcomer Freddie Highmore as one of the boys--keep their feet on the earth while their eyes gaze into their dreams. Also featuring a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerAcclaimed superstars Johnny Depp, Kate Winslet, Julie Christie and Dustin Hoffman bring a world of magic to life on Blu-ray Disc®. Dubbed "glorious entertainment" by Rolling Stone Magazine, FINDING NEVERLAND soars higher than ever in this remarkable high definition format. At a career crossroads after his latest play fails, well-known writer James M. Barrie (Depp) meets a widow (Winslet) and her four adventurous boys. Together they form a friendship that ignites the imagination needed to produce Barrie's greatest work â€" PETER PAN! Feast your eyes on the sumptuous visual brilliance of 1080p while your ears reve! l in the richness of 5.1 48 kHz, 24-bit uncompressed audio. You will believe â€" thanks to Blu-rayâ„¢ High Definition.Sweetness that doesn't turn saccharine is hard to find these days; Finding Neverland hits the mark. Much credit is due to the actors: Johnny Depp applies his genius for sly whimsy in his portrayal of playwright J. M. Barrie, who finds inspiration for his greatest creation from four lively boys, the sons of widow Sylvia Llewelyn Davies (Kate Winslet, who miraculously fuses romantic yearning with common sense). Though the friendship threatens his already dwindling marriage, Barrie spends endless hours with the boys, pretending to be pirates or Indians--and gradually the elements of Peter Pan take shape in his mind. The relationship between Barrie and the Llewelyn Davies family sparks both an imagined world and a quiet rebellion against the stuffy forces of respectability, given physical form by Barrie's resentful wife (Radha Mitchell, High Art! ) and Sylvia's mother (Julie Christie, McCabe and Mrs. ! Miller). This gentle silliness could have turned to treacle, but Depp and Winslet--along with newcomer Freddie Highmore as one of the boys--keep their feet on the earth while their eyes gaze into their dreams. Also featuring a comically crusty turn from Dustin Hoffman (who appeared in another Peter Pan-themed movie, Hook) as a long-suffering theater producer. --Bret FetzerSOUNDTRACK FINDING NEVERLANDAs did the Lewis Carroll/Alice in Wonderland-rooted Dreamchild before it, Finding Neverlandexplores the all-too-human roots of an English children' s literature classic, in this case author James Mathew Barrie's (Johnny Depp) enduring fable, Peter Pan. Polish stage composer cum film scorer Jan A. P. Kaczmarek takes the film's fantasy-leavened, yet ultimately bittersweet tale of Barrie, his losing battle with adulthood and the magic world of prose it inspired and invests it with an exuberant score that positively pulses with youthful ab! andon. Dominated by joyous writing for strings, winds and children's chorus and punctuated by the effervescent solo piano flourishes of Leszek Mozdzer (and a few other inviting ethnic conceits), the composer's music not only playfully vamps the tale's Edwardian era, but does it with an ear towards optimistic, youthful energy that's irresistible. Mozdzer also contributes several masterful solo piano interpretations of Kaczmarek's themes that, while not strictly a part of the film's score, contribute greatly to making this album a compelling whole unto itself. --Jerry McCulley
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Wednesday, January 11, 2012

Goodbye Lover Poster 27x40 Don Johnson Patricia Arquette Dermot Mulroney

  • Approx. Size: 27 x 40 Inches - 69cm x 102cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • Goodbye Lover Style A 27 x 40 Inches Poster
  • Packaged with care and shipped in sturdy reinforced packing material
Overlooked and underrated, "Goodbye Lover" is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a "Sound of Music" fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective P! ompano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joff?© ("The Killing Fields") from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. "--Jeff Shannon"Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker! ), and the cynical Detective Pompano (Ellen DeGeneres) unravel! s the mu rder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Louise Parker), and the cynical Detective Po! mpano (Ellen DeGeneres) unravels the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Overlooked and underrated, Goodbye Lover is a tawdry, tasty film noir with a soft spot for its scheming antiheroine. With her platinum Lulu bob, a killer wardrobe, and a Sound of Music fetish that inspires her to "climb every mountain" of bad-girl ambition, Patricia Arquette is perfectly cast as Sandra, the sweet but lethal wife of Jake (Dermot Mulroney), who works in a top-drawer ad agency with his brother Ben (Don Johnson). Weary stud Ben falls prey to simultaneous affairs with Sandra and his devoted secretary (Mary-Loui! se Parker), and the cynical Detective Pompano (Ellen DeGeneres! ) unrave ls the murder-for-insurance plot while her clueless Mormon partner (Ray McKinnon) tries to keep pace. Combining mordant humor and rampant depravity, this deliciously dark comedy starts fast and never lets up, liberating director Roland Joffé (The Killing Fields) from the sobriety of his previous work. The entire cast is great, but it's DeGeneres who makes this a recommended sleeper. --Jeff Shannon Twenty-year-old Dennis Eastman has a choice to make: either enter the U.S. Naval Academy, or find some other course in life. He decides to spend his final month of freedom in Los Angeles with his old mentor and lover, Lincoln Gardner, hoping to find some answers. But Linc fails to meet him at the airport, and when Dennis enters his friend's apartment in Beverly Hills, he's promptly confronted by the police: Gardner has been brutally murdered! Dennis must now search for vindication through the sleazy underground bars and gay nightclubs of Southern California, while a! vile killer begins looking for young, new prey!This sheet music was newly engraved from early and authoritative editions.This sheet music was newly engraved from early and authoritative editions.Goodbye Lover reproduction poster print

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The Bucket List

  • You only live once, so why not go out in style? That?s what two cancer- ward roommates, an irascible billionaire (Jack Nicholson) and a scholarly mechanic (Morgan Freeman), decide when they get the bad news. They compose a bucket list ? things to do before you kick the bucket ? and head off for the around-the-world adventure of their lives. Sky dive? Check. Power a Shelby Mustang around a racetrac
In the last year of your life, anything is possible.In the last year of your life, anything is possible.You only live once, so why not go out in style? That’s what two cancer- ward roommates, an irascible billionaire (Jack Nicholson) and a scholarly mechanic (Morgan Freeman), decide when they get the bad news. They compose a bucket list â€" things to do before you kick the bucket â€" and head off for the around-the-world adventure of their lives. Sky dive? Check. Power a Shelby Mustang around a ra! cetrack? Check. Gaze at the Great Pyramid of Khufu? Check. Discover the joy in their lives before it’s too late? Check! Under the nimble direction of Rob Reiner, the two great stars provide the heart and soul, wit and wiles of this inspired salute to life that proves that the best time of all is right now."You measure yourself by the people who measure themselves by you," says the quietly wise Carter Chambers, played with gravitas and grace by a Morgan Freeman. In Rob Reiner's moving, often hilarious film The Bucket List, all sorts of people measure themselves against the two heroes, Chambers and his hospital suitemate, Edward Cole (Jack Nicholson). But as Cole finds, having spent his entire life building a Fortune 500 company, none of that much matters when cancer, the great equalizer, pays a visit. The film traces the adventures of the two unlikely friends, who meet in a hospital cancer ward, each given six months to live. The "bucket list" of the title refers to! a lifelong list of goals that a teacher of Chambers once advi! sed him to compile--and achieve--"before you kick the bucket." Soon the two are off on what may be the last grand adventure of their life, vowing to tick off as many goals (skydiving, race-car driving, seeing the wonders of the world) as they can in the time they have left. What starts as a medical melodrama becomes a road trip, yet the men's mortality realities are never far from thought. The two leads give impressive performances, and remind the viewer of just how few American films focus on the lives and loves of senior citizens. Nicholson even manages to lose his persona in his character, much as he did in About Schmidt. There's a lovely John Mayer tune, "Say (What You Need to Say)," that's perfectly matched to the film's clear-eyed view of life: What does one person leave behind as his true legacy? --A.T. Hurley
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