Saturday, November 12, 2011

Carrie

  • ISBN13: 9780671039721
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Based on the best-selling Stephen King novel, Carrie "catches the mind, shakes it and refuses to let it go" (Time)! Starring Sissy Spacek and Piper Laurie (in OscarÂ(r)-nominated* performances), John Travolta and Amy Irving, this ultimate revenge fantasy is "absolutely spellbinding" (Roger Ebert), "outrageously witty" (Los Angeles Times) and one of the all-time great horror classics! At the center of the terror is Carrie (Spacek), a tortured high-school misfit with no confidence, no friends...and no idea about the extent of her secret powers of telekinesis. But when her psychotic mother and sadistic classmates finally go too far, the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse! who, with the help of her 'special gift,' causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone! *1976: Spacek, Actress; Laurie, Supporting ActressThis terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religious kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time. --Tom KeoghBased o! n the best-selling Stephen King novel, Carrie "catches the min! d, shake s it and refuses to let it go" (Time)! Starring Sissy Spacek and Piper Laurie (in OscarÂ(r)-nominated* performances), John Travolta and Amy Irving, this ultimate revenge fantasy is "absolutely spellbinding" (Roger Ebert), "outrageously witty" (Los Angeles Times) and one of the all-time great horror classics! At the center of the terror is Carrie (Spacek), a tortured high-school misfit with no confidence, no friends...and no idea about the extent of her secret powers of telekinesis. But when her psychotic mother and sadistic classmates finally go too far, the once-shy teen becomes an unrestrained, vengeance-seeking powerhouse who, with the help of her 'special gift,' causes all hell to break loose in a famed cinematic frenzy of blood, fire and brimstone!This terrifying adaptation of Stephen King's bestselling horror novel was directed by shock maestro Brian De Palma for maximum, no-holds-barred effect. Sissy Spacek stars as Carrie White, the beleaguered daughter of a religi! ous kook (Piper Laurie) and a social outcast tormented by her cruel, insensitive classmates. When her rage turns into telekinetic powers, however, school's out in every sense of the word. De Palma's horrific climax in a school gym lingers forever in the memory, though the film is also built upon Spacek's remarkable performance and Piper Laurie's outlandishly creepy one. John Travolta has a small part as a thug, De Palma's future wife, Nancy Allen, is his girlfriend, and Amy Irving makes her screen debut as one of the girls giving Carrie a hard time. --Tom KeoghA modern classic, Carrie introduced a distinctive new voice in American fiction -- Stephen King. The story of misunderstood high school girl Carrie White, her extraordinary telekinetic powers, and her violent rampage of revenge, remains one of the most barrier-breaking and shocking novels of all time.

Make a date with terror and live the nightmare that is...CarrieWhy read Carrie? Stephe! n King himself has said that he finds his early work "raw," an! d Brian De Palma's movie was so successful that we feel like we have read the novel even if we never have. The simple answer is that this is a very scary story, one that works as well--if not better--on the page as on the screen. Carrie White, menaced by bullies at school and her religious nut of a mother at home, gradually discovers that she has telekinetic powers, powers that will eventually be turned on her tormentors. King has a way of getting under the skin of his readers by creating an utterly believable world that throbs with menace before finally exploding. He builds the tension in this early work by piecing together extracts from newspaper reports, journals, and scientific papers, as well as more traditional first- and third-person narrative in order to reveal what lurks beneath the surface of Chamberlain, Maine.

News item from the Westover (ME) weekly Enterprise, August 19, 1966: "Rain of Stones Reported: It was reliably reported by several ! persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th."

Although the supernatural pyrotechnics are handled with King's customary aplomb, it is the carefully drawn portrait of the little horrors of small towns, high schools, and adolescent sexuality that give this novel its power, and assures its place in the King canon. --Simon Leake

Awake

  • Awake turns the disturbingly real phenomenon of anesthetic awareness - in which surgery patients, through completely paralyzed, are conscious of everything they are experiencing, including the pain - into a "completely absorbing" thriller (Roger Ebert). When failed anesthesia leaves a rich young tycoon (Hayden Christensen, Star Wars) alert but immobilized during open heart surgery, he over
AWAKE is a sexy, psychological thriller about a common occurrence called "anesthetic awareness" a horrifying phenomenon wherein a patient's failed anesthesia leaves him fully conscious but physically paralyzed during surgery. The patient's charming new wife is forced to struggle with her own demons as a terrifying drama unfolds around the couple.There's a hint of classic noir in the twists and turns that make up Awake, a medical thriller that hinges on an alarming real-life condition known as anesth! esia awareness, which keeps surgery patients awake but immobile during surgery. Hayden Christensen is top-billed as the scion of a wealthy banking family in desperate need of a heart transplant. Seconds after the operation commences, he discovers that he is fully conscious, yet unable to move; and what's worse, the entire procedure is slated to fail in order to claim his considerable fortune. Once the scheme is set in motion, Awake moves into high gear, and the stock characters established in the exposition-heavy opening show their true (and decidedly scurrilous) colors. Unfortunately, the suspense is undone by Christensen undergoing what appears to be a confusing out-of-body experience, and a conclusion that begs for more suspension of disbelief than most audiences will be able to summon up. Christensen and Jessica Alba (as his new bride) are attractive but bland; instead, it's Howard who delivers as the film's conflicted antihero. The supporting players, including ! Lena Olin as Christensen's overprotective mom, Christopher McD! onald, a nd Arliss Howard also lend considerable credence to the material. -- Paul Gaita

Homeward Bound - The Incredible Journey

  • The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man
BOUND - DVD MovieDestined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of ! Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, unti! l their very survival depends on split-second timing and crimi! nal inge nuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon

Antonya Nelson is known for her razor-sharp depictions of contemporary family life in all of its sometimes sad, sometimes hilarious complexity. Her latest novel has roots in her own youth in Wichita, in the neighborhood stalked by the serial killer known as BTK (Bind, Torture, and Kill). A story of wayward love and lost memory, of public and private lives twisting out of control, Bound is Nelson's most accomplished and emotionally riveting work.


Catherine and Oliver, young wife and older entrepreneurial husband, are negotiating their difference in age and a plethora of well-concealed secrets. Oliver, now in his sixties, is a serial adulterer and has just fallen giddily in love yet ! again. Catherine, seemingly placid and content, has ghosts of a past she scarcely remembers. When Catherine's long-forgotten high school friend dies and leaves Catherine the guardian of her teenage daughter, that past comes rushing back. As Oliver manages his new love, and Catherine her new charge and darker past, local news reports turn up the volume on a serial killer who has reappeared after years of quiet.


In a time of hauntings and new revelations, Nelson's characters grapple with their public and private obligations, continually choosing between the suppression or indulgence of wild desires. Which way they turn, and what balance they find, may only be determined by those who love them most.

France released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), French ( Dolby Digital 2.0 ), French ( Dolby DTS! -HD Master Audio ), French ( Subtitles ), WIDESCREEN (2.35:1),! SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Featurette, Filmographies, Interactive Menu, Scene Access, SYNOPSIS: Corky, a tough female ex con and her lover Violet concoct a scheme to steal millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser. SCREENED/AWARDED AT: Fantasporto Awards, Stockholm Film Festival, ...Bound ( The Business )

Brought to New England and bound into servitude to pay her father's debts, Alice Cole, at fifteen, can barely remember the time when she was not a servant to John Morton. His daughter, Nabbyâ€"only three years older than Aliceâ€"begins as Alice's childhood companion, but when Nabby weds, she becomes Alice's mistress. But the marriage is not what it appears, and Alice, endangered by its storm, defies her new master and the law, and escapes to Boston. Impulsively stowing away on a ship to Satucket on Cape Cod, Alice believes that she has left her old life and her secrets behind. Yet in a time of unrest and unce! rtainty, as political and personal stakes rise and intertwine, she discovers that freedom, friendship, trust, and love each have a price far greater than she ever imagined.

Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that severa! l critics (including Roger Ebert) placed it on their top-ten l! ists for 1996. --Jeff Shannon

YOUNG XING XING IS BOUND.

Bound to her late father's second wife and daughter. Bound to a life of servitude as a young girl in ancient China, where a woman is valued less than livestock. Bound to be alone, with no parents to arrange for a suitable husband. Xing Xing spends her days taking care of her half sister, Wei Ping, who cannot walk because of her foot bindings, the painful tradition for girls who are fit to be married. Even so, Xing Xing is content to practice her gift for poetry and calligraphy, and to dream of a life unbound by the laws of family and society.

But all of this is about to change as Stepmother, who has spent nearly all of the family's money, grows desperate to find a husband for Wei Ping. Xing Xing soon realizes that this greed and desperation may threaten not only her memories of the past, but also her dreams for the future.

Alice Cole spent her first seven years living in t! wo smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and ! her lawyer companion, Eben Freeman. Frightened and alone, Alic! e impuls ively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.

Alice Cole spent her first seven years living! in two smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry! and her lawyer companion, Eben Freeman. Frightened and alone,! Alice i mpulsively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.

This thrilling and thoroughly captivating t! heatrical hit from Disney has become an instant favorite with audiences of all ages. You'll lose your heart to Chance, a fun-loving American bulldog pup; Sassy, a hilarious Himalayan cat who lives up to her name; and Shadow, a wise old golden retriever -- all of whom express themselves with very familiar human voices! The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man, beast, and nature alike. It's an unforgettable story of love, courage, and devotion that will delight and inspire generations to come!Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, a! nd the story proves just as durable in this popular 1993 versi! on, in w hich the heroic trio of animals are given voices provided by Don Ameche, Michael J. Fox, and Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home. Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location scenery, and the vocal performances by Ameche, Fox, and Field are surprisingly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon

Martin BMD614 Chrome Socket, 3/8 " Square Drive, 6 Point, Deep, 14 mm type II opening, drive end, 4964 " opening end, 2564 " min. depth, Metric

  • Made in U.S.A
A #1 New York Times bestseller, Mitchard's suspenseful and moving novel is now available in trade paperback

Few first novels receive the kind of attention and acclaim showered on this powerful story--a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare--the disappearance of a child--as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.

"Riveting . . . twists that will spin you around." --Newsweek

"A drama with the tension of a thriller that moves deeply! into the emotional territory of family ties." --People

"Take a deep breath. . . . This riveting story won't let you come up for air." --US magazine Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15th high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publis! hing and movie rights sold fast on this one: It's a blockbust! er.Few f irst novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.Oprah Book Club® Selection, September 1996: The horror of losing a child is somehow made worse when the case goes unsolved for nearly a decade, reports Milwaukee Journal-Sentinel columnist Jacquelyn Mitchard in this searing first novel. In it, 3-year-old Ben Cappadora is kidnapped from a hotel lobby where his mother is checking into her 15t! h high school reunion. His disappearance tears the family apart and invokes separate experiences of anguish, denial, and self-blame. Marital problems and delinquency in Ben's older brother (in charge of him the day of his kidnapping) ensue. Mitchard depicts the family's friction and torment--along with many gritty realities of family life--with the candor of a journalist and compassion of someone who has seemingly been there. International publishing and movie rights sold fast on this one: It's a blockbuster.Few first novels receive the kind of attention and acclaim showered on this powerful storyâ€"a nationwide bestseller, a critical success, and the first title chosen for Oprah's Book Club. Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmareâ€"the disappearance of a childâ€"as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant obs! ervations about the texture of real life, here is a story of r! are powe r, one that will touch readers' hearts and make them celebrate the emotions that make us all one.SKT,3/8,6PT,DP,14MM

Come Early Morning

  • COME EARLY MORNING FF AND WS (DVD MOVIE)
(Drama/Romance) Lucy is a 30-something woman who keeps waking up with a stiff hangover and a guy she doesn't even want to look at. If coming to grips with why she keeps repeating this pattern isn't enough, Lucy also begins to realize that she needs to get in touch with her familial past and, more importantly, with the person she has become.Come Early Morning comes as a mid-afternoon career correction for Ashley Judd, an actress oft dissed in the years since her fresh, breakout performance in the indie gem Ruby in Paradise. No mystery there: what other lovely and talented woman has appeared in such a string of crummy serial-killer movies? By redemptive contrast, Come Early Morning suggests a de facto sequel to Ruby 13 years down the road. Again Judd limpidly portrays a young Southern woman, Lucy, trying to get free of a debil! itating heritage--dysfunctional family on every side--and find her way to some kind of contentment. Lucy makes more bad decisions than Ruby did. For her, early morning isn't so much a new day as the hour when she faces waking up with one more guy she couldn't care less about. She plans it that way, because commitment is something she flees with grim resolve. But she also knows that the program isn't working for her.

The writing-directing debut of another offbeat actress, Joey Lauren Adams (Chasing Amy), this is a beautifully observed film, free of condescension toward its Arkansas folk, with an appreciative eye for the plain beauties of small-town life and semi-rural roads, and a sharp ear for three-cushion dialogue. "Did I miss Easter?" Lucy's housemate quietly cracks when she finds Lucy dressed for Sunday-go-to-meetin'; Lucy's trying to reconnect with her estranged dad (a magical, almost wordless performance by the wonderful Scott Wilson), who's started attendi! ng "a new holy-roller church." She also meets a newcomer (Jeff! rey Dono van, excellent) who ought to be Mr. Right ... but nothing quite plays out according to formulaic expectation in this movie--among the most satisfying of 2006, which most people are going to have to discover on DVD. --Richard T. Jameson

Meade Personal Solar Telescope

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Overworked Manhattan coffee shop waitress Bella isn't looking forward to her 35th birthday. Stuck in a relationship with a married man for far too long, Bella takes a chance on frustrated novelist/taxi driver Bruno. Determined not to scare yet another man off with her dreams of marriage and family, Bella plays it cool and tells Bruno she hates children. A tough break for the womanizer since his ex-wife has just dumped two small children on him ... In her coffee shop world, Bella witnesses she's not alone in the bittersweet battle against romance's difficulties. Shy widower Paul struggles through the tender courtship of lively widow Emily. Ornery old Seymour gets a magical shot of youth when he falls for a sexy exotic dancer. Despite love's accompanying twists and turns, everyone holds out for the best. And the persistent Bella discover! s fairy tales can come true...even in New York City. Louise Lasser and Robert Modicka put their hearts into the story of a 60-ish couple trying to make a go of it, regardless of his friends' ridicule and her low self-esteem. Their honest acting nearly gives this failed attempt at a Woody Allen-style episode of Friends needed humanity. The problem? Lasser and Modicka are not the lead actors in this film, whose tritely punning title is about the extent of writer-director Amos Kollek's wit. Anna Thomson is the ostensible heroine in this story about the denizens of a New York City diner and their romantic travails. The 35-year-old waitress, unlucky in life and love, seems such a candidate for long-term therapy that her unconventional outlook isn't so much profoundly sympathetic as simply pathetic. Kollek also stretches credulity by allowing a sex-show performer to melt at the badgering appearances of one of her "clients," the creepiest of the whole lot. --Kevin Filips! kiALL NEW ZOMBIE SHIRT PRINTED ON HQ FIBER COTTON. IF YOU ! LOVE ZOM BIES, THIS IS A MUST HAVE!