Crimson Flower Gold Finish Metal Bottle Stopper

• Dimensions: 2" x 3"
• Gold finish
• Rubberized seal
• Rhinestones and faux pearl

Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight ! sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric! socialite gives him a taste of luxury, something desperate is! unleash ed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom KeoghAward-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage o! ver this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. W! hen an eccentric socialite gives him a taste of luxury, someth! ing desp erate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom KeoghAward-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appeara! nces; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unle! ashed. Panahi brings his feel for and vision of the expansive ! ordinary , for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh

She wanted out.

She wanted a new life.

She wanted a trophy worthy of a master thief.

She wanted to find the source of the treasured crimson gold.

She wanted to face an undead emperor on his home ground and live to tell the tale.

Careful what you wish for.

The Crimson Gold is the third title in this ongoing Forgotten Realms series focusing specifically on the shadowed life of the iconic character class of the rogue. Each novel in the series is a stand-alone adventure, allowing readers an easy entry point into the Forgotten Realms world.

Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge.! Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. H! ussein (Hossain Emadeddin) is a lumbering veteran swollen by c! ortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh

The '25, '61, '78, '79, and '92 national championships, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and ferv! or that fans have come to love as they listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

The '25, '61, '78, '79, and '92 national championships, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to li! fe with the same clarity and fervor that fans have come to lov! e as the y listen to football on the radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

This classic gold finish crimson flower metal bottle stopper with rubber seal. Features inlaid crimson enamel with rhinestones and faux pearl.

Aurora Borealis Swarovski Crystal Pendant Necklace Fashion Jewelry

• GORGEOUS FOR GIFTS
• COMES IN FOIL GIFT BOX
• BEAUTIFUL STYLE
• LEAD COMPLIANT
• BRAND NEW

Here is a gorgeous 3/4" round metallic pendant in a clear crystal frame surrounding large faceted aurora borealis Swarovski crystal. This stunning piece will be the perfect finishing touch to your look. It is looped through a thin, delicate 16" long silver snake chain necklace with a lobster clasp and a 2.5" extension. It makes a great gift and will come to you in a foil gift box perfect for gift giving. Box may be a different color than shown.

Filth and Wisdom

• FILTH AND WISDOM (DVD MOVIE)

Madonna s directorial debut!

Filth and Wisdom, is a hilariously sexy tale of three roommates who must delve into mischievous and naughty behavior in pursuit of bigger and brighter futures. A Ukrainian immigrant, A.K. (Eugene Hutz), finances his dreams of trans-continental superstardom with his band, Gogol Bordello, by turning tricks as a role-playing cross dresser. As A.K. literally whips the privileged of London into shape, he also secretly pines for the object of his affection, Holly (Holly Weston), as aspiring ballerina looking for her big break while moonlighting as a slippery stripper. Meanwhile, Juliette (Vicky McClure) steals medicine from her pharmaceutical job in hopes of quenching her dreams of helping Africa s youth. Filth and Wisdom is every bit as erotic and playful as it is poignant and touching, revealing the universal struggles we all face i! n our pursuits of happiness.

Cats & Dogs: The Revenge of Kitty Galore

• In the eternal battle between cats and dogs, one crazed feline has taken things a paw too far
• Former elite agent Kitty Galore has gone rogue and plans to unleash a diabolical device designed to
• Faced with this dire threat, cats and dogs must work together for the first time ever to save
• This fantastically fun adventure features the voice talent of Christina Applegate, Michael Clarke

In the eternal battle between cats and dogs, one crazed feline has taken things a paw too far. Former elite agent Kitty Galore has gone rogue and plans to unleash a diabolical device designed to not only bring her canine enemies to heel but also to take down her former kitty comrades and make the world her scratching post. Faced with this dire threat, cats and dogs must work together for the first time ever to save themselves and their beloved humans from global cat-astrophe. This fantastic! ally fun adventure features the voice talent of Christina Applegate, Michael Clarke Duncan, Neil Patrick Harris, Sean Hayes, James Marsden, Bette Midler and Nick Nolte and stars Chris O'Donnell and Jack McBrayer.A definite improvement over the original 2001 Cats & Dogs, Cats & Dogs: The Revenge of Kitty Galore is a brand-new story about an underground world of animal intelligence, featuring cat spy agency M.E.O.W.S., a dog intelligence agency, and even a pigeon. They find themselves in the unlikely position of joining forces against renegade M.E.O.W.S. agent Kitty Galore as she seeks revenge against dogs and humans in a plan that will destroy the human race and allow her to rule the world. This 3-D film is a blend of live action, puppetry, and animation, and the combination of better writing and a cast of talented voice artists makes the animal spies in this sequel much more believable than in the previous film. Kitty Galore is unlikable to the core and Bette ! Midler is absolutely perfect in the role. Neil Patrick Harris ! is highl y effective as Lou, head of the dog agency; James Marsden plays the conflicted police-dog-turned-new-recruit Diggs; Nick Nolte plays fellow canine agent Butch; Christina Applegate is M.E.O.W.S. agent Catherine; and Katt Williams as Seamus does a great pigeon. The unlikely cooperation between canine, feline, and bird leads to an action-adventure that takes the agents from dark back alleys to a cat house run by a cat lady pushing catnip and even a local carnival. The action scenes will hold the interest of most children ages 6 to 12, though many of the adults in the crowd may find them rather on the slow side, and kids and adults alike will chuckle at the silly jokes and slapstick comedy that pop up throughout the film. A notable laugh for the adults in the audience comes in an extended scene that clearly invokes Hannibal Lecter in The Silence of the Lambs. Add in a robot cat, some silly magician tricks--including Kitty Galore zipped into a rabbit suit--a squirrel robot! that self-destructs after a quick dance, and the requisite 3-D effects and you've got a perfectly adequate action comedy that kids will enjoy and their parents can stomach without too much complaining. --Tami Horiuchi

Motorola DROID RAZR 4G Android Phone (Verizon Wireless)

• Ultra-thin 4G LTE-enabled, Android-powered smartphone with 4.3-inch Super AMOLED Advanced multi-touch display
• Dual-core 1.2 GHz processor; capable of running full Firefox desktop browser with optional accessories; Wireless-N Wi-Fi networking (with optional Wi-Fi Mobile Hotspot service)
• 8-MP camera; full HD 1080p camcorder; front-facing video chat camera; Bluetooth stereo music; 16 GB memory plus 16 GB microSD card; corporate and personal e-mail
• Up to 12.5 hours of talk time, up to 200 hours (8.5 days) of standby time; released in November, 2011
• What's in the Box: handset, rechargeable battery, charger, USB cable, 16 GB microSD card, quick start guide

Faster, thinner, stronger, the 4G-enabled, Android-powered DROID RAZR by MOTOROLA for Verizon Wireless packs strength and smarts into a stylish package. Reinforced with Corning Gorilla Glass ! and encased in laser-cut KEVLAR fiber,the DROID RAZR is compressed into a deceptively thin profile to create the thinnest 4G LTE smartphone.

DROID strong. RAZR sharp. (view larger).

Thinnest 4G LTE smartphone (view larger).

DROID RAZR by MOTOROLA At a Glance: 3G/4G LTE connectivity Android 2.3 OS Dual-core 1.2 GHz processor 4.3-inch Super AMOLED Advanced touchscreen 8-MP camera + Full HD 1080p video record 16 GB memory + 16 GB microSD card GPS navigation Wireless-N Wi-Fi Stereo Bluetooth 4.0 Personal/corporate e-mail

Slice through multiple tasks simultaneously with a dualâ€"core 1.2 GHz processor and 1 GB of LP DDR2 RAM, and enjoy brilliant optics with the 4.3-inch Super AMOLED Advanced display. A rear-facing 8-megapixel camera also allows you to capture stunning still photos and Full HD 1080p videos while on the go. It's also outfitted with a 1.3-megapixel front-facing camera with HD 720p video recording for on-the-go chats.

The Verizon Wireless 4G LTE Mobile Broadband network provides speeds up to 10 times faster than Verizon Wireless' 3G network. With 4G LTE, you'll enjoy simultaneous voice and data capabilities, allowing you to check e-mail, browse the web, download an app, and check directions on Google Maps while on a call. Verizon Wireless' 4G LTE Mobile Broadband network currently reaches one-third of all Americans,! with plans to expand the network to the company's entire 3G c! overage area over the next three years (learn more about 4G below).

You can share your high-speed 4G connectivity with multiple devices--laptop, another phone, MP3 player, and more--via Wi-Fi using the built-in Mobile Hotspot functionality (additional service charge applicable).

With 16 GB of onboard storage and an included 16 GB microSD card, you'll be able to keep loads of photos and videos directly on the device--and you can use optional microSD memory cards up to 32 GB for even more storage potential. Other features include GPS for navigation and location-based services, low-energy Bluetooth 4.0 connectivity for hands-free devices and stereo music streaming, and up to 12.5 hours of talk time (see full specifications below).

DROID is a trademark of Lucasfilm Ltd. and its related companies. Used under license. KEVLAR is a registered trademark of DuPont used under license by MOTOROLA Mobility, Inc.

Secretly Smart

The DROID RAZR's advanced artifi! cial intelligence monitors your behavior and selfâ€"optimizes to keep you running at peak effectiveness. Deploy your favorite apps even faster. Switch into silent mode automatically to avoid detection. Streamline everyday tasks to get 25 percent more battery life per charge.

DROID RAZR by MOTOROLA at Play

The DROID RAZR's multiplayer gaming capabilities allow you to challenge friends to live peer-to-peer gaming, viewed through the device's 4.3-inch Super AMOLED Advanced display with qHD resolution (960 x 540 pixels)--delivering console-quality graphics. The integrated HDMI connectivity also enables you to connect the device to your HDTV (or HDMI-compatible monitor) to experience your games, as well as purchased HD content in full 1080p (HDMI cable sold separately).

For multitaskers, the DROID RAZR's Mirror Mode function enables simultaneous streaming of video to the TV and on the device. You can also wirelessly stream video and audio to compatible DLN! A devices.

Eyeâ€"piercing color and blinding brilliance from the 4.3-inch Super AMOLED Advanced display (view larger).

DROID RAZR by MOTOROLA at Work

As a fully featured work device, the DROID RAZR comes equipped with corporate e-mail, remote wipe and data security, and government-grade encryption capabilities that IT departments appreciate. It comes pre-loaded with the following apps to make your business life a breeze.

GoToMeeting: With the free GoToMeeting app, join online meetings in seconds by tapping a link in an email. Easy-to-use, intuitive features let you view presentations, mockups and reports--whatever the presenter shares on-sc! reen.

Quickoffice: Create, view and edit spreadsheets, presentations and Microsoft Word documents on the go.

Smart Actions: The Smart Actions app helps you extend battery life and automate everyday tasks so you can spend your time more efficiently. With Smart Actions, you can automatically turn down the ringer when you step into work, change the Bluetooth and GPS settings when you get home to save battery.

MOTOPRINT: Print wirelessly to any postscript printer via Wi-Fi without the hassle of cords.

PC Power from Your Smartphone

Create, edit, and interact with all your documents, media,! and content using Motorola's webtop application when connecte! d to one of several optional docks. The DROID RAZR by MOTOROLA can be used to browse your favorite web sites with a full Firefox desktop browser, view social networking sites, and use HTML5 web-based applications and supported cloud computing services while running your Android applications in a window. And calls and text messages continue uninterrupted even if the phone is removed from the dock.

The optional HD Station for DROID RAZR enables you connect to ! a big screen (via HDMI port) as well as plug in peripherals such as a keyboard or a mouse via its three USB ports for a PC-like experience while using the webtop application.	The Lapdock 100 has an incredibly thin design with a 10.1-inch screen, full keyboard, and trackpad--plus a battery that delivers up to 5 hours of power. Simply dock your DROID RAZR into the back of the Lapdock 100 to turn it into an active, connected machine that's lighter and smaller than most laptops on the market.

Vital Statistics

The DROID RAZR by MOTOROLA weighs 4.48 ounces and measures 5.15 x 2.7 x 0.28 inches. Its 1780 mAh lithium-ion battery is rated at up to 12.5 hours of talk time, and up to 200 hours (8.5 days) of standby time. It runs on the Verizon Wireless 4G LTE network, as well as EV-DO, Rev A 3G and CDMA 800/1900 frequencies where 4G LTE is not available.

What's in the Box

DROID R! AZR by MOTOROLA handset, rechargeable battery, charger, USB ca! ble, 16 GB microSD card, quick start guide

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8-megapixel camera with Full HD 1080p video capture (view larger).

Verizon Wireless 4G LTE Network

The Verizon Wireless 4G LTE network allows you to download photos, apps, and games in seconds and entire movies in minutes. LTE (or Long Term Evolution provides significantly increased upload and download speeds over 3G networks, as well as significantly reduced latency (or lag time). Verizon Wireless expects 4G LTE average data rates to be 5-12 megabits per second (Mbps) on the downlink and 2-5 Mbps on the uplink in ! real-world, loaded network environments.

With these blazing fast speeds, you'll be able to stream HD movies without the annoyance of constant pauses to buffer the video stream--as well as quickly download HD-quality movies right to your phone in minutes. Additionally, you'll be able to download a new song file in about 4 seconds or upload a photo to your favorite social networking site in about 6 seconds.

The Verizon Wireless 4G LTE mobile broadband network will also redefine the mobile office for business users. Business applications that used to require wired networks will be untethered forever, allowing you maximized productivity and efficiency while you're out of the confines of your office. Enhanced security lets you tap into most VPN networks with less waiting, and faster responsiveness enables you to upload 10 MB presentations back to your team in less than 25 seconds.

In areas serviced only by 3G, you can expect download speeds of 600 Kbps to 1.! 4 Mbps and upload speeds of 500 to 800 Kbps in Mobile Broadban! d covera ge area.

Verizon Wireless Services

Backup Assistant: This complimentary service automatically back up your mobile contacts to your online address book. If your phone is lost, stolen, or damaged, or you decide to upgrade, easily restore your saved address book to your new phone. You can also add, delete, edit, and print your contacts online and send the changes to your mobile phone. There are no subscription fees for the service.

VZ Navigator Capable: With this GPS-enabled phone, you'll be able to access the Verizon Wireless VZ Navigator service (additional charges applicable) for voice-prompted turn-by-turn directions, heads-up alerts, local search of nearly 14 million points of interest in the US (such as landmarks, restaurants and ATMs), and detailed color maps.

V CAST Video: Enjoy unlimited, on-demand access to full episodes of your favorite television shows from all of the major networks, pl! us the latest in local and national news, live and recorded sports and entertainment and weather. You will receive over 100 channels with over 250 full episode shows and an impressive list of live sporting events each month.

Visual Voice Mail: This innovative service enables you to delete, reply, and forward voice mail messages without having to listen to prior messages or voice instructions. Visual Voice Mail is the ideal tool for the busy mobile professional who may need to prioritize which messages he or she listens to first. Features include on-screen access to voice mail message status, save up to 40 messages for 40 days (or archive permanently), create up to 10 different caller ID-based greetings, and reply via call back, text or even voice mail.

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Connectivity Ultra-fast 4G LTE connectivity v! ia the Verizon Wireless 4G Mobile Broadband network, with expe! cted dow nload speeds of 5 to 12 Mbps and upload speeds of 2 to 5 Mbps. Where the 4G LTE network is unavailable, the phone will connect with the Verizon Wireless 3G network. Wireless-N Wi-Fi networking (802.11b/g) for accessing home and corporate networks as well as hotspots while on the go. 4G Mobile Hotspot capability allows you to create a Wi-Fi hotspot using your Verizon Wireless 4G LTE connection, which can then be shared among up to eight Wi-Fi-capable devices (up to eight devices on 3G). Low-energy Bluetooth 4.0 connectivity backward compatible with older Bluetooth-enabled peripherals and includes stereo audio streaming. Onboard GPS for navigation and location services. Integrated Google Maps with turn-by-turn navigation, street and satellite views. Optional VZ Navigator service for GPS navigation with voice-prompte! d turn-by-turn directions. Communications & Internet Full messaging capabilities including SMS text, MMS picture/video and IM instant messaging Full HTML browser (Webkit 5) with Flash 10.1 Support Personal and corporate e-mail access with support for Exchange ActiveSync as well as personal e-mail accounts (Google push, Yahoo!, POP3, IMAP).

Hardware Dual-core 1.2 GHz processor up to 2x the power of single core smartphones for fast web browsing. 4.3-inch Super AMOLED Advanced multi-touch display (Quarter High Definition; 960 x 540 pixels) with scratch-resistant Corning Gorilla Glass. MicroUSB port Micro HDMI port with 1080p HMDI Mirror Mode output to your HDTV or monitor. 1780 mAh lithi! um-ion battery (non-removable) 3.5m! m headph one jack Memory 16 GB internal memory 16 GB microSD card with support for optional cards up to 32 GB. 1 GB RAM for improved multitasking (LP DDR2). Camera 8-megapixel camera with launch from lock screen. Full HD 1080p video capture with image stabilization for crisp and clear videos. Front-facing 1.3-megapixel camera for video chats with HD 720p resolution. Multimedia Music player compatible with MP3, WMA, and AAC/AAC+ Video player compatible with MPEG4, H.264, H.263, WMV Access to VCAST Videos

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Android Gingerbread Operating System

The Motorola DROID RAZR runs the Android 2.3 operating system (dubbed Gingerbread)--the fastest version of Android available for smartphones yet. It features a cleaner, more refined interface with new icons, improved top notification bar, and more intuitive navigation. Multitasking in Gingerbread allows you the ability to run more than one app at a time. If you're playing a game, you can easily switch to an incoming e-mail and then switch back to the game without losing your place. And like the previous version of Android ("Froyo"), Gingerbread provides support for Adobe Flash Player 10.1 for access to the full Web. The onscreen keyboard makes it easier to type thanks to additional spacing between the keys and larger font sizes. And the! more you use the keyboard, the easier typing will be as the e! nhanced suggest feature records previous input history to make better suggestions. The DROID RAZR also brings one-touch access to the popular Google mobile services you use every day. It also provides easy access to both personal and corporate e-mail, calendars, and contacts supported by Exchange Server and Gmail. And through Android Market, you'll get access to thousands of useful applications, widgets, and fun games to download and install on your phone, with many more apps being added every day.

Google Integration Android Market for browsing and downloading thousands of free and paid apps Pre-loaded Android apps: Browser, Calculator, Calendar (Google or Corporate), Camera, Clock, Contacts, Email, Gallery, Messaging, Music, News & Weather, Phone, Settings, Video Player, Voice Dialer, Voice Search, YouTube Google applications: Gmail, Google Search, Google Voic! e Search, Google Latitude, Google Maps, Google Places, Google Talk Google Maps Navigation with spoken turn-by-turn directions showing real-time traffic and 360° views of the destination

 

Also Available for This Android Device

	Amazon Appstore for Android Get a great paid app for free every day.		Kindle Bu! y a book once and read it everywhere with our free Kindle Read! ing App for Android.		Amazon MP3 Shop 15 million songs and stream your Cloud Drive music directly from your Android device.
	IMDB Find local movie showtimes and TV listings, watch trailers, and search the world's largest source of entertainment information.		Audible Download audiobooks directly to your Android device, then listen wherever you go, get audiobook news, earn badges, and more.		Amazon Mobile Shop for millions of products, get product details, and read reviews--right from your mobile device.

Beauty and the Beast (Three-Disc Diamond Edition Blu-ray/DVD Combo in Blu-ray Packaging)

• Condition: New
• Format: Blu-ray
• AC-3; Animated; Color; Dolby; DTS Surround Sound; Dubbed; Original recording remastered; Restored; S

This "tale as old as time" follows the adventures of Belle, a bright young woman who finds herself imprisoned in the castle of a mysterious beast. With the assistance of the castle's enchanted staff, a delightful and tender romance develops between these two unlikely friends and Belle soon learns the most important lesson of all â€" that true beauty comes from within.The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently of! fends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --Thi! s text refers to an out of print or unavailable edition of th! is title .Set in and around a quaint French village during the late 18th century, Beauty and the Beast follows the fantastic adventures of Belle, a bright and beautiful young woman who finds escape from her ordinary life, and the advances of a boorish suitor, Gaston, by reading books. Meanwhile, off in a castle in the distance, a cruel young prince is cast under the spell of an enchantress who turns him into a tormented beast, while transforming his servants into animated household objects. In order to remove the curse, the Beast must discover a true love who will return his affection before the last petal falls from an enchanted rose. When Belle's inventor father stumbles upon the Beast's castle and is taken prisoner, Belle comes to the rescue and agrees to take her father's place. With the help of the castle's enchanted staff, she sees beneath the Beast's exterior and discovers the heart and soul of a human prince.The film that officially signaled Disney's animation renaissanc! e (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a l! out's paean to himself (including the immortal line, "I use an! tlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.

Elite Squad

• An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR Age: 796019815482 UPC: 79601981

Celebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God" are a place where combat photographers fear to tread, police rarely go and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye, the eye of an ! artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically ! immediate--that City of God prompted reforms in socioec! onomic p olicy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonCelebrated with worldwide acclaim, this powerful true story of crime and redemption has won numerous prestigious awards around the globe! The streets of the world's most notorious slum, Rio de Janeiro's "City of God," are a place where combat photographers fear to tread, police rarely go, and residents are lucky if they live to the age of 20. In the midst of the oppressive crime and violence, a frail and scared young boy will grow up to discover that he can view the harsh realities of his surroundings with a different eye: the eye of an artist. In the face of impossible odds, his brave ambition to become a professional photographer becomes a window into his world ... and ultimately his way out!Like cinematic dynamite, City of God lights a fuse under its squalid Brazilian ghetto, and we're a c! aptive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff ShannonLike cinematic! dynamite, City of God lights a fuse under its squalid ! Brazilia n ghetto, and we're a captive audience to its violent explosion. The titular favela is home to a seething army of impoverished children who grow, over the film's ambitious 20-year timeframe, into cutthroat killers, drug lords, and feral survivors. In the vortex of this maelstrom is L'il Z (Leandro Firmino da Hora--like most of the cast, a nonprofessional actor), self-appointed king of the dealers, determined to eliminate all competition at the expense of his corrupted soul. With enough visual vitality and provocative substance to spark heated debate (and box-office gold) in Brazil, codirectors Fernando Meirelles and Kátia Lund tackle their subject head on, creating a portrait of youthful anarchy so appalling--and so authentically immediate--that City of God prompted reforms in socioeconomic policy. It's a bracing feat of stylistic audacity, borrowing from a dozen other films to form its own unique identity. You'll flinch, but you can't look away. --Jeff Sha! nnonPaulo Morelli's film is a pacy, bloody thriller that pays warm tribute to a diverse cross-section of American directors including Quentin Tarantino and Michael Bay. Bullets zing across the screen, heavy artillery is deployed at all times, and Morelli makes great use of the twisty favela streets during some frantic chase sequence. Silva and Cunha, who both had roles in CITY OF GOD, carry the picture with impressive ease, and while CITY OF MEN isn't an official sequel to Meirelles's lauded picture, it does serve as a neat continuation of that film's unshakable portrayal of the violence that has beset so many young lives in the slums of Rio de Janeiro.Action-packed and fueled by Brazilian funk, City of Men returns the makers of City of God to the scene of their first success. In this case, the search for family supersedes the search for identity--not that there isn't a correlation between the two. Though produced by Fernando Meirelles, Paulo Morelli's fea! ture isn't a sequel, but a follow-up to the four-season series! of the same name. While Meirelles's movie takes place in Rio de Janeiro's past, Morelli's transpires in the present (not counting flashbacks from the show). Days away from turning 18, boyhood friends Acerola (Douglas Silva) and Laranjinha, a.k.a. Wallace (Darlan Cunha), grew up without fathers. Ace has a wife and child; Wallace has a steady girl. The duo gets along with the gang that rules their labyrinthine hillside neighborhood or favela, but hoodlum life holds little appeal. Ace struggles to raise his young son--his security guard father was murdered during a robbery--while Wallace tries to track down the dad he never knew. With Ace's assistance, Wallace solves the mystery of his genealogy, but at great cost to their friendship (and lives). Despite the South American pedigree, City of Men suggests the South Central of Boyz N the Hood more than City of God. It's not that Morelli's kinetic film looks like John Singleton's more classically composed enter! prise, but that it deals with similar inner-city concerns. That said, Silva and Cunha are every bit as charismatic as Ice Cube and Cuba Gooding Jr.--if not more so. --Kathleen C. FennessySaint Augustine of Hippo is one of the central figures in the history of Christianity, and this book is one of his greatest theological works. Written as an eloquent defense of the faith at a time when the Roman Empire was on the brink of collapse, it examines the ancient pagan religions of Rome, the arguments of the Greek philosophers and the revelations of the Bible. Pointing the way forward to a citizenship that transcends worldly politics and will last for eternity, this book is one of the most influential documents in the development of Christianity.

One of the great cornerstones in the history of Christian thought, The City of God is vital to an understanding of modern Western society and how it came into being. Begun in A.D. 413, the book's initial purpose was to r! efute the charge that Christianity was to blame for the fall o! f Rome ( which had occurred just three years earlier). Indeed, Augustine produced a wealth of evidence to prove that paganism bore within itself the seeds of its own destruction. However, over the next thirteen years that it took to complete the work, the brilliant ecclesiastic proceeded to his larger theme: a cosmic interpretation of history in terms of the struggle between good and evil. By means of his contrast of the earthly and heavenly cities--the one pagan, self-centered, and contemptuous of God and the other devout, God-centered, and in search of grace--Augustine explored and interpreted human history in relation to eternity.An action-packed thriller that follows an elite police battalion (BOPE) tasked with cleaning up a drug-ridden Rio de Janeiro slum in advance of the pope's 1997 visit. A team of trained killers, they struggle to do what's right in a corrupt system and dangerous neighborhood.Though José Padilha's action-packed crime drama won the top prize at the Berlin F! ilm Festival, a steady stream of controversy and acclaim has followed in its wake. Some critics have even accused the director of promoting fascism, while Padilha (Bus 174) contends that Elite Squad argues against police brutality. Like Vic Mackey, who heads up The Shield's LA strike force, narrator Captain Nascimento (Wagner Moura) heads up Rio de Janeiro's Police Special Operations Battalion (BOPE). It’s 1997, the Pope arrives for a visit in six months, and BOPE will stop at nothing to reduce crime in the favelas. The way they see it, drug traffickers have them outmanned and outgunned, so there's no point in playing by the rules. With their black uniforms and berets, the Skulls certainly cut an imposing figure. New police recruits Neto (Caio Junqueira) and aspiring lawyer Matias (André Ramiro) turn to Nascimento when their efforts to operate by the book only lead to frustration (Matias was inspired by author/law student/BOPE member André Ba! tista). The burned-out captain sees his salvation in the two c! hildhood friends; as soon as he selects a replacement, he plans to leave the force and spend time with his pregnant wife. Nascimento may find his man, but the ending is far from happy. Brutal and bleakly funny, Elite Squad depicts 1990s Rio as Danté's Ninth Circle of Hell. Nonetheless, Brazilians made the film an even bigger sensation than City of God, to which it serves as an essential companion piece. --Kathleen C. Fennessy

He's Just Not That Into You

• Remember that really cute guy who said he'd call.and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for love and finds laughs in this savvy, sexy, right-now romcom. Based on the runaway (like some guys you know) bestseller by

When we first meet rising young artist Angelique (Tautou), she is in the glorious throes of true love, and the whole world has seemingly fallen under her spell. Her handsome lover Loic is madly in love with her, her paintings are winning wide acclaim, and a glorious future seems all but assured. But Angelique's blissful world may not be as enchanting as it first seems, and in a quick startling moment, her life - and our understanding of it -seems to unravel in front of our eyes. Starring Audrey Taut! ou (Amelie), Samuel Le Bihan (Three Colors: Red).That adorable Audrey Tautou from Amélie plays the central role in this deceptive story of a rather unusual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonThat adorable Audrey Tautou from AmÃ! ©lie plays the central role in this deceptive story of a r! ather un usual romance. It would spoil the film's clever design to reveal what happens halfway through He Loves Me, He Loves Me Not, so let's just say that Tautou plays a winsome girl in the sunny town of Bordeaux, whose relationship with a married doctor has more layers than first it seems. Samuel LeBihan, from Brotherhood of the Wolf, plays the doctor, but it's the casting of cutie-pie Tautou that sets up the movie's gradually sinister undertow. Director Laetitia Colombani's inventive structure plays a satisfyingly tricky game with the audience, and may have some viewers going back to the beginning to make sure they saw what they thought they saw. Just don't go in expecting Amélie part deux, and you should find this an ingenious little number. --Robert HortonTrish Ryan was the quintessential successful thirtysomething woman -- she had a career as an attorney, a nice car, and a succession of men clamoring for her affection. But despite all her accomplish! ments, the things by which she defined her life continually left her disappointed, especially when it came to dating.

Like the heroines of chick-lit novels and Sex and the City, she couldn't escape her bad luck with men: men who cheated, who left her, who made her a lesser version of herself. After years of trying everything out there to make love work -- new age philosophy, feminist empowerment, myriads of self-help programs -- she finally, hesitantly, decided to give Jesus a try.

HE LOVES ME, HE LOVES ME NOT is Ryan's story of how her search for the right guy turned into the search for the right God, and (spoiler alert!) how she ended up with the happily-ever-after ending.Remember that really cute guy who said he'd call....and didn't? Maybe He's Just Not That Into You. An all-star cast - Ben Affleck, Jennifer Aniston, Drew Barrymore, Jennifer Connelly, Kevin Connolly, Bradley Cooper, Ginnifer Goodwin, Scarlett Johansson and Justin Long - looks for l! ove and finds laughs in this savvy, sexy, right-now romcom. Ba! sed on t he runaway (like some guys you know) bestseller by Sex and the City series writers Greg Behrendt and Liz Tuccillo, He's Just Not That Into You sparkles with zingy aha moments any survivor of the dating wars will recognize. See it with someone you'd like to love.Based on the bestseller by two Sex and the City scribes, He's Just Not That Into You confirms that the HBO series was more than just a television show--it was a cultural institution that spawned tours, catchphrases, fashion trends, and more. Ironically, the resulting film is both smarter and funnier than the big-screen version of Carrie and the gang. Of the nine central characters, the sweet, if clueless Gigi (Big Love's Ginnifer Goodwin) makes the most vivid impression. The Maryland career girl tends to fall for friendly guys, like Conor (Entourage's Kevin Connolly), who are "just not that into" her. At a local watering hole, she meets bar manager Alex (Justin Long, Goodwin's Ed co! -star), who sets her straight about the difference between what men say and what they mean, adding that there are exceptions to every rule. Her seemingly settled co-workers, Beth (Jennifer Aniston) and Janine (Jennifer Connelly), have relationship issues of their own: Beth's boyfriend of seven years, Neil (Ben Affleck), doesn't believe in marriage, and Janine's husband, Ben (Bradley Cooper), has a wandering eye... for singer/yoga instructor Anna (Scarlett Johansson). Alt-weekly ad saleswoman Mary (executive producer Drew Barrymore) provides the link between this loose-knit community. An avid Internet dater and full-time technophile, she bemoans the fact that "people don't meet each other organically anymore." At 132 minutes, Ken Kwapis's movie could use a few trims, but he brings these complicated romantic entanglements to a convincing conclusion and the confessions from random passers-by add to the laughs. --Kathleen C. Fennessy

The Phantom of the Opera (Widescreen Edition)

• TESTED

Soundtrack to the long awaited film adaptation of the blockbuster stage musical.For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Culle! n has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyExpanded edition includes a bonus disc with 11 tracks.For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and the London Boys Choir. This deluxe, double-disc version showcases all of Phantom's key songs, with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Ros! sum's ever-conflicted Christine. Original show orchestrator Da! vid Cull en has fashioned compelling new contemporary arrangements to frame Webber's songs--which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulleyThe Royal Albert Hall in London comes alive to the passionate melodies and songs from the shows of Andrew Lloyd Webber. Enjoy the magic of this night of a thousand stars. Directed by: David MalletIn 1998 a concert at the Royal Albert Hall celebrated Sir Andrew Lloyd Webber's 50th birthday and featured more than two hours of hits from a body of work spanning almost three decades. In this keepsake of a memorable night, star after star steps on to a massive, Eurovision-style set to revisit golden moments in their long association with Britain's most successful composer of musicals. Elaine Paige in big frocks and an even bigger voice delivers "Don't Cry for Me, Argentina" and "Memory" with her usual power; Michael Ball and Donny Osmond stretch the last! vestiges of boyish charm to the very limits but still sound great; and Boyzone gets the youth vote. Then there are Kiri Te Kanawa, Bonnie Tyler, Tina Arena, and, of course, another encore for brother Julian Lloyd Webber and those Variations on the cello. But the stars are Sir Andrew's ex-wife Sarah Brightman in an outstanding selection from The Phantom of the Opera (probably his best work), Antonio Banderas (who really can sing), and Glenn Close, a stupendous, moving Norma Desmond in songs from Sunset Boulevard. All in all, a deserved celebration for someone who has given so many people a great deal of pleasure, and a treat for musicals fans of all ages. --Piers FordMusical Drama based on Andrew Lloyd Webber's celebrated musical phenomenon. The Phantom of the Opera tells the story of a disfigured musical genius (Gerard Butler) who haunts the catacombs beneath the Paris Opera, waging a reign of terror over its occupants. When he falls fatally in love wi! th the lovely Christine (Emmy Rossum), the Phantom devotes him! self to creating a new star for the Opera, exerting a strange sense of control over the young soprano as he nurtures her extraordinary talents.Although it's not as bold as Oscar darling Chicago, The Phantom of the Opera continues the resuscitation of the movie musical with a faithful adaptation of Andrew Lloyd Webber's blockbuster stage musical. Emmy Rossum glows in a breakout role as opera ingénue Christine Daae, and if phantom Gerard Butler isn't Rossum's match vocally, he does convey menace and sensuality in such numbers as "The Music of the Night." The most experienced musical theater veteran in the cast, romantic lead Patrick Wilson, sings sweetly but seems wooden. The biggest name in the cast, Minnie Driver, hams it up as diva Carlotta, and she's the only principal whose voice was dubbed (though she does sing the closing-credit number, "Learn to Be Lonely," which is also the only new song).

Director Joel Schumacher, no stranger to visual spectacle, seems ! to have found a good match in Lloyd Webber's larger-than-life vision of Gaston LeRoux's Gothic horror-romance. His weakness is cuing too many audience-reaction shots and showing too much of the lurking Phantom, but when he calms down and lets Rossum sings "Wishing You Were Somehow Here Again" alone in a silent graveyard, it's exquisite.

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Those who consider the stage musical shallow and overblown probably won't have their minds changed by the movie, and devotees will forever rue that the movie took the better part of two decades to develop, which prevented the casting of original principals Michael Crawford and Sarah Brightman. Still, The Phantom of the Opera is a welcome exception to the long line of ill-conceived Broadway-to-movie travesties. DVD Features
The special edition of The Ph! antom of the Opera has two major extras. "Behind the Mask: The Story of The Phantom of the Opera" is an hourlong documentary tracing the genesis of the stage show, with interviews of composer Andrew Lloyd Webber, director Harold Prince, producer Cameron Macintosh, lyricists Richard Stilgoe and Charles Hart, choreographer Gillian Lynne, and others. Conspicuously absent are stars Sarah Brightman and Michael Crawford. Both do appear in video clips, including Brightman performing with Colm Wilkinson at an early workshop, and Crawford is the subject of a casting segment. Other brief scenes from the show are represented by a 2001 production. The other major feature is the 45-minute making-of focusing on the movie, including casting and the selection of director Joel Schumacher Both are well-done productions by Lloyd Webber's Really Useful Group.

The deleted scene is a new song written by Lloyd Webber and Charles Hart, "No One Would Listen," sung by the Phantom toward the! end of the movie. It's a beautiful song that, along with Madame Giry's story, makes him a more sympathetic character. But because that bit of backstory already slowed down the ending, it was probably a good move to cut the song. --David Horiuchi

More on The Phantom of the Opera

The Phantom of the Opera (Special Extended Edition Soundtrack) (CD)	The Phantom of the Opera (2004 Movie Soundtrack) (CD)	The Phantom of the Opera (Original 1986 London Cast) (CD)
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