Anamorph

• Academy Award®-nominee Willem Dafoe* (Spiderman, Platoon) is a detective drawn into a gruesome case in this intense psychological thriller. Haunted by the killings, he soon finds himself confronting his own deadly past. With each slaying, the investigation takes a different, darker turn. And the nearer he's drawn to the murders, the closer he could become the ultimate victim - or take the

Academy Award®-nominee Willem Dafoe* (Spiderman, Platoon) is a detective drawn into a gruesome case in this intense psychological thriller. Haunted by the killings, he soon finds himself confronting his own deadly past. With each slaying, the investigation takes a different, darker turn. And the nearer he's drawn to the murders, the closer he could become the ultimate victim - or take the fall for the crimes. Also starring Scott Speedman (The Strangers) and Clea Duvall ("Heroes").

Stills from Anamorph (Click for larger image) !

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Avenger A2030DKIT Steel 40-Inch Detachable Base C-Stand with Grip Kit (Chrome)

• Removable base with foldable legs
• Sets up quickly and easily
• Grip arm is perfect for small fixtures and reflectors

A clandestine government organization called Invictus "recruits" outstanding athletes for secret projects. But their top agent Jackson Holt has special, almost preternatural, qualities not even the Organization can explain.

Olivia Gant, professor of Ancient Studies at a private college in California, was once Jack's childhood sweetheart. But when he deserted her, he left her alone to combat her stepfather's drunken attentions and her mother's careless neglect.

Nearly twenty years later, their paths cross in a mission to fight a bizarre religious serial killer whose methods include crucifixion and burial alive. Olivia and Jack battle for happiness against years of secrecy and distance as they use Olivia's expertise in Latin and Jack's special ! gifts to track a brutal killer.

Can Olivia forgive Jack for his long-ago betrayal? Can Jack allow Olivia to witness the terrible Change that makes him such an effective killing machine?
A clandestine government organization called Invictus "recruits" outstanding athletes for secret projects. But their top agent Jackson Holt has special, almost preternatural, qualities not even the Organization can explain.

Olivia Gant, professor of Ancient Studies at a private college in California, was once Jack's childhood sweetheart. But when he deserted her, he left her alone to combat her stepfather's drunken attentions and her mother's careless neglect.

Nearly twenty years later, their paths cross in a mission to fight a bizarre religious serial killer whose methods include crucifixion and burial alive. Olivia and Jack battle for happiness against years of secrecy and distance as they use Olivia's expertise in Latin and Jack's special gifts to track a bru! tal killer.

Can Olivia forgive Jack for his long-ago be! trayal? Can Jack allow Olivia to witness the terrible Change that makes him such an effective killing machine?
No Description AvailableNo Description AvailableThis kit is the perfect addition to any set up. This stand comes with a 2.5" grip head and 40" adding more versatility to an already awesome stand and is perfect for small light fixtures or reflectors. The unique C stand leg design allows this to go where most stands will not. The removable base has adjustable legs that also fold for ease of storage and transport. TECHNICAL SPECIFICATIONS: Minimum Height 4.4'; Maximum Height 9.75'; Closed Length 4.4'; Footprint Diameter 3.1'; Weight 13.7 lbs; Stand maximum Load 22 lbs; Attachment 5/8" stud.

Finishing the Game

• The unexpected death of Bruce Lee, a world-wide phenomenon and established movie star, came at the peak of his popularity. Having already shot scenes for his upcoming movie Game Of Death, studio heads decided to complete the film by launching a search for his replacement, attracting hopefuls from all around the world. Finishing The Game is an uproarious, poignant, unpredictable and action-packed r

The unexpected death of Bruce Lee, a world- wide phenomenon and established movie star, came at the peak of his popularity. Having already shot scenes for his upcoming movie Game of Death, studio heads decided to complete the film by launching a search for his replacement attracting hopefuls from all around the world. Finishing the Game is an uproarious, poignant, unpredictable and action packed re-imagining of the casting process for Lee's replacement.

DOGMA INCLUDES BONUS DIGITAL COPY

• DVD
• comedy
• thrilling
• fantasy
• angels

When two banished angels find a loophole that will allow them back into heaven at the cost of humankind an unsuspecting mortal woman two prophets and the thirteenth apostle are the only ones who can stop them. Special features: subtitles in english spanish and french talent files and murch more. Studio: Ingram Entertainment Release Date: 07/26/2005 Starring: Ben Affleck Matt Damon Run time: 130 minutes Rating: R Director: Kevin SmithKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove ! him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy,! heavenly muse (the sublime Salma Hayek, who almost single-han! dedly st eals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartWHEN TWO BANISHED ANGELS FIND A LOOPHOLE THAT WILL ALLOW THEM BACK INTO HEAVEN AT THE COST OF HUMANKIND, AN UNSUSPECTINGMORTAL WOMAN, TWO PROPHETS AND THE THIRTEENTH APOSTLE ARE THE ONLY ONES WHO CAN STOP THEM. SPECIAL FEATURES: SUBTITLES IN EN! GLISH, SPANISH AND FRENCH, TALENT FILES AND MURCH MORE.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck ! and Matt Damon) have discovered a loophole that would allow th! em back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featu! ring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartOne of the most talked-about movies of the year is also one of the funniest! In this hilarious comic fantasy from writer/director Kevin Smith (Clerks, Chasing Amy) two banished angels (Ben Affleck and Matt Damon) find a loophole that would get them back into Heaven. The only snag? They'll be destroying existence in the process. In an effort to stop them, The overworked Voice of God (Alan Rickman)taps cynical mortal Bethany (Linda Fiorentino) to save the world by preventing the angels from reaching their unholy destination: New Jersey! Throw in two unlikely prophets named Jay and Silent Bob (Jason Mewes and Kevin Smith), the quick-witted yet little-known thirteenth apostle (Chris Rock) and a sexy, former muse with a case of writer's block (Selma Hayek) and you! 've got an hysterical and thrilling race against time packed w! ith an a ll-star cast.Kevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemous as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole ! that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--with Fiorentino lending a sardonic gravity to the proceedings, and Jason Lee smirking evilly as the horned devil Azrael--and the film shuffles good-na! turedly to its climax (featuring Alanis Morissette as a beatif! ically s ilent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartKevin Smith is a conundrum of a filmmaker: he's a writer with brilliant, clever ideas who can't set up a simple shot to save his life. It was fine back when Smith was making low-budget films like Clerks and Chasing Amy, both of which had an amiable, grungy feel to them, but now that he's a rising director who's attracting top talent and tackling bigger themes, it might behoove him to polish his filmmaking. That's the main problem with Dogma--it's an ambitious, funny, aggressively intelligent film about modern-day religion, but while Smith's writing has matured significantly (anyone who thinks he's not topnotch should take a look at Chasing Amy), his direction hasn't. It's too bad, because Dogma is ripe for near-classic status in its theological satire, which is hardly as blasphemo! us as the protests that greeted the movie would lead you to believe.

Two banished angels (Ben Affleck and Matt Damon) have discovered a loophole that would allow them back into heaven; problem is, they'd destroy civilization in the process by proving God fallible. It's up to Bethany (Linda Fiorentino), a lapsed Catholic who works in an abortion clinic, to save the day, with some help from two so-called prophets (Smith and Jason Mewes, as their perennial characters Jay and Silent Bob), the heretofore unknown 13th apostle (Chris Rock), and a sexy, heavenly muse (the sublime Salma Hayek, who almost single-handedly steals the film). In some ways Dogma is a shaggy dog of a road movie--which hits a comic peak when Affleck and Fiorentino banter drunkenly on a train to New Jersey, not realizing they're mortal enemies--and segues into a comedy-action flick as the vengeful angels (who have a taste for blood) try to make their way into heaven. Smith's cast is exceptional--! with Fiorentino lending a sardonic gravity to the proceedings,! and Jas on Lee smirking evilly as the horned devil Azrael--and the film shuffles good-naturedly to its climax (featuring Alanis Morissette as a beatifically silent God), but it just looks so unrelentingly... subpar. Credit Smith with being a daring writer but a less-than-stellar director. --Mark EnglehartChasing Amy is the third installment in the "New Jersey Trilogy" from award-winning writer-director Kevin Smith (Clerks, Mallrats, Dogma). Cult comic-book artist Holden (Ben Affleck) falls in love with fellow artist Alyssa (Joey Lauren Adams), only to be thwarted by her sexuality, the disdain of his best friend Banky (Jason Lee), and his own misgivings about himself. Filled with Smith's unique ear for dialogue and insight into relationships, Chasing Amy offers a thoughtful, funny look at how perceptions alter lives, and how obsession and self-doubt skew reality. Writer-director Kevin Smith (Clerks) makes a huge leap in sophistication with ! this strong story about a comic-book artist (Ben Affleck) who falls in love with a lesbian (Joey Lauren Adams) and actually gets his wish that she love him, too. Their relationship is attacked, however, by his business partner (Jason Lee), who pulls a very unsubtle Iago act to cast doubt over the whole affair. The film has the same sense of insiderness as Clerks--this time, Smith takes us within the arcane, funny world of comic-book cultism--but the themes of jealousy, deceit, and the high price of growing up enough to truly care for someone make this a very satisfying movie. --Tom Keogh Imaginative theology and a bigger-than-usual budget make Kevin Smith's (CHASING AMY, CLERKS) fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. It concerns banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck) who, after a few millennia in Wisconsin, discover a loophole in Catholic doctrine that would allow the! m back into heaven--but prove the fallibility of God and destr! oy the u niverse. As they make their way to New Jersey to receive a plenary indulgence, God dispatches a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alanis Morrisette) has to put in an appearance of her own. Smith's controversial (and very funny) film is powered by his trademark dialogue, ripe with observations on pop culture, religion, and bodily functions Included bonus digital copy for your PC & PSP must be redeemed by 06/17/09

Deja Vu

• When FBI agent Carlin (Denzel Washington) tries to prevent a terrorist attack using a top secret government time shifting device, the action is explosive. Denzel Washington teams up with blockbuster producer Jerry Bruckheimer and renowned director Tony Scott in this intriguing action thriller. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 Age: 786936705270 UPC:&

Academy Award(R) winner Denzel Washington (Best Actor, TRAINING DAY, 2001) joins forces with blockbuster producer Jerry Bruckheimer and mega-hit director Tony Scott for DÉJÀ VU â€" the powerful, fast-paced action-thriller with a spectacular mind-bending twist. Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin (Washington) gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help pre! vent crime. But can it help Carlin change the past? Hold on to your seat for an explosive and intriguing thrill ride you'll want to experience again and again.'In his most effective thriller since Enemy of the State, Tony Scott makes time travel seem plausible. It helps that his New Orleans hero, ATF agent Doug Carlin (Denzel Washington in his third go-round with the director), spends more time in the present than the past. In order to catch a terrorist, FBI Agent Pryzwarra (Val Kilmer) invites Carlin to join forces. They have the technology to see the past. He has the expertise to interpret the data. Unfortunately, the bomb has already gone off and hundreds of ferry passengers have died. Then there's the body of a beautiful woman, Claire Kuchever (Paula Patton, Idlewild), that turns up in the vicinity of the blast. Evidence indicates she was killed beforehand. Since the FBI enables him to observe Claire prior to her murder, Carlin gets to know what she was li! ke and finds himself falling in love. He becomes convinced tha! t the on ly way to solve the case--and prove her innocence--is to travel to the past. But as Pryzwarra's colleague, Denny (Adam Goldberg), argues, "You cannot go back in time. It's physically impossible." Or so he says. Déjà Vu is constructed around a clever script and executed by a top-notch cast, notably Washington, Patton, and an eerie Jim Caviezel (miles away from Passion of the Christ). In shedding the excesses of recent years--the sadism of Man on Fire and weirdness of Tarantino favorite Domino--Scott re-affirms his rep as one of the action movie's finest practitioners. --Kathleen C. Fennessy

Blue Collar Comedy Tour Rides Again

• TESTED

For the first time ever, all three Blue Collar Comedy Tour movies are available to own in one complete set!A feature film version of America's hit comedy concert tour, Blue Collar Comedy Tour The Movie stars renowned comedians Jeff Foxworthy and Bill Engvall and fellow Blue Collar comics Ron White and Larry The Cable Guy. The film features live stand-up performances filmed at Phoenix's Dodge Theater as well as behind-the-scenes sequences highlighting the individual comedians. The number one comedy tour of the last two years, The Blue Collar Comedy Tour has grossed more than $12 million to date and produced a best-selling live album, The Blue Collar Comedy Tour Live, released in November 2001.It had to happen: A national tour of redneck comedians culminating in this frequently funny concert film, shot in Phoenix. Ron White's scotch-and-tobacco-fueled, fatalistic world view gets things o! ff to a good start. ("That last engine had just enough power to get us to our crash site.") Larry the Cable Guy's creepy-silly persona helps deliver a set long on gross-out humor. ("I've been seein' a good-lookin' girl. But now I lost my binoculars.") Bill Engvall balances the tone with his family-man shtick. ("There needs to be a teenage driver's lane lined with tires and mattresses.") Main event champ Jeff Foxworthy offers fresh material about the act of ice-fishing as an out-of-body experience for fish, describes the bizarre sight of a leaf blower among items confiscated by airport security and, of course, renders his trademark re-re-re-definitions of what constitutes a redneck ("a glorious absence of sophistication"). Lots to enjoy here. --Tom KeoghJoin hilarious comedians Jeff Foxworthy, Larry the Cable Guy, Bill Engvall and Ron White for another round of side-splitting humor. In addition to their trademark blue collar humor, witness what the guys are like offst! age as the cameras give a glimpse at what life is like on a to! ur bus w ith the celebrated comedians.The redneck quartet from the original Blue Collar Comedy Tour re-groups for another night of laughs, with (mostly) fresh material performed for an upbeat audience. A funny, clubby preface on a tour bus establishes a tone of lowbrow camaraderie among Jeff Foxworthy, Larry the Cable Guy, Ron White, and Bill Engvall, but once on stage, the differences between each comic's style is considerable. Amiable Engvall kicks things off with gentle gibes: "Men are basic: eating, sleeping, sex. I can do all those in my truck." The decadent air of Ron White darkens the show: "If I'd known the difference between 'antidote' and 'anecdote,' my friend would still be alive today." Foxworthy, the likable Everyman, comments on his wife's hypochondria: "Honey, you do not have testicular cancer." Finally, Larry the Cable Guy lowers the bar on sick-hick humor but does score occasionally: "I got a vasectomy at Sears. When I get excited, the garage door opens." -! -Tom Keogh

Citizen Kane (Two-Disc Special Edition)

• A fascinating story of idealism corrupted by wealth, Citizen Kane is frequently named the greatest film of all time and is credited with inspiring more directorial careers than any other film in history. Orsen Welles and Agnes Moorehead star.Running Time: 119 min. Format: DVD MOVIE Genre: DRAMA Rating: PG Age: 053939656527 UPC: 053939656527 Manufacturer No: T6

Orson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70th anniversary digital transfer with revitalized digital audio from the highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dyin! g man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kan! e, Welles even ushers in the influence of Bertolt Brecht on fi! lm actin g. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghThe story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time.
No Track Information Available
Media Type: DVD
Artist: WELLES/COTTEN/COMINGORE/MOOREH
Title: CITIZEN KANE
Street Release Date: 09/24/2002
Domestic
Genre: DRAMAArguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mot! her as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh

Double Feature (Analyze This / Analyze That)

• Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director ret

Mob boss Paul Vitti's going a little wacky. His shrink's afraid of getting whacked. Think you got troubles? Robert De Niro plays the troubled crime-family racketeer and Billy Crystal is Ben Sobel, the psychiatrist with just a few days to turn Vitti into a happy, well-adjusted gangster in Analyze This [Side A], the drop-dead funny comedy from Caddyshack director Harold Ramis. Stars and director reteam to prove laughter is still the best therapy in Analyze That [Side B]. This time, Vitti is released f! rom Sing Sing into the custody of his therapist. Can jittery Ben help Vitti find gainful employment? Can he even believe Vitti's gone legit when guys like Lou the Wrench keep showing up? You think you got troubles?Fuhgedaboudit!