Sunday, November 27, 2011

Iron Man: My Journey through Heaven and Hell with Black Sabbath

  • This Hand Signed Book Will Come With PAC SIGNATURES Certificate Of Authenticity.
When teen lovers Gaspard and Marion stumble upon a cell phone, they decide to track down the owner and find him, dead, in a mysterious suicide ceremony. Next to him lies a half-conscious girl, Audrey. Possessing femme fatale looks and an enigmatic tattoo, Audrey lures Gaspard into Black Hole, a dangerously addictive online game. Gaspard s avatar encounters beautiful but poisonous singer Sam, who attracts victims in the virtual world and seduces them to commit suicide in real life. Could Sam s alter ego in the real world be Audrey? Could Gaspard be her next victim? He will have to journey deeper into Black Hole to learn the terrible truth.Life can crush your dreams. Oji is a middle-management drone stuck in the drudgery of a corporate lifestyle to support his wife and his kid. His only grip on his sanity come fro! m the shreds of hope surrounding his past life as the amazing guitarist of Black Heaven, a heavy metal band that almost made it. In his bleakest moment, the magic of performing is restored to him when a beautiful and mysterious woman informs him that only his special sound can save the universe from an evil alien invasion!Hard Rock Saves Space!! Life can crush your dreams. Oji is a middle-management drone whose only grip on sanity, in the drudgery of his corporate lifestyle, are the few shreds of hope surrounding his past life as the amazing guitarist of Black Heaven, a heavy metal band that almost made it. In his bleakest moment, the magic of performing is restored to him when a beautiful mysterious woman informs him that only his special sound can save the universe from an evil alien invasion. Limited edition chromium onsert included on every volume (while supplies last). Six-String Affair! Oji's love for his music has been rekindled by his frequent sessions used to acti! vate the ultimate weapon against the invading aliens. Unfortu! nately, his late nights and frequent absences worry his boss and infuriate his wife who is convinced Oji is having an affair! Oji is too distracted by his music to perceive the tension, but it can only get worse - the scientists have realized that the invading aliens are getting stronger. Can Oji defeat them by himself?!

From the creative team behind El Hazard comes a mid-life crisis of cosmic proportions! Featuring music by John Sykes and the Michael Schenker Group.

The plot of this odd mixture of sci-fi adventure and heavy metal rock isn't exactly thickening, but it's taking some curious twists. Former rock & roll star Oji Tanaka has somehow sunk into the life of an ordinary, embittered salaryman, with a wife, a son, and a tiny apartment. But he's also the secret weapon in an interstellar war: human-looking aliens use his music to trigger their Ultimate Weapon, the only defense in their arsenal that can destroy the ships of the invading aliens. Tanaka undergoes the rock eq! uivalent of a crisis of faith when he discovers the beautiful agent Layla, who recruited him, is interested in his music only as a weapon and not as an aesthetic experience. He angrily smashes his guitar and walks out, leaving Layla's fleet virtually defenseless. Because of--or despite--the transparent plots of the lovely scientist Hamill, Tanaka is soon back, and playing even more furiously. Meanwhile, his increasingly shrewish wife worries that Tanaka's odd behavior will have social repercussions in the company dorm where they live. It all adds up to a very strange adventure series. Contains these episodes: 5. "These Are the Days," 6. "Walk Away," 7. "In Need." Rated 13 and up for nudity and occasional profanity. --Charles Solomon The band is back! Oji recruits the former members of Black Heaven into helping him to defeat the aliens! Unfortunately, even though they are busy saving the galaxy, they can't tell their wives and bosses why they need to disappear at ra! ndom times. The alien girls try to help, but ultimately, they! cause c ore trouble than ever. Will finding their original keyboard player help them or hurt them?

Iron Man chronicles the story of both pioneering guitarist Tony Iommi and legendary band Black Sabbath, dubbed Â"The Beatles of heavy metal” by Rolling Stone. Iron Man reveals the man behind the icon yet still captures Iommi’s humor, intelligence, and warmth. He speaks honestly and unflinchingly about his rough-and-tumble childhood, the accident that almost ended his career, his failed marriages, personal tragedies, battles with addiction, band mates, famous friends, newfound daughter, and the ups and downs of his life as an artist.

Everything associated with hard rock happened to Black Sabbath first: the drugs, the debauchery, the drinking, the dungeons, the pressure, the pain, the conquests, the company men, the contracts, the combustible drummer, the critics, the comebacks, the singers, the Stonehenge set, the music, the money, the madn! ess, the metal.
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Fisher Sour Balls, Assorted, 5-Pound Package

  • Great fruity flavors
  • Assorted flavors
  • Fisher Nuts - Top Quality - Year after Year!
A smart, charming teenage girl, Hayley probably shouldn't be going to a local coffee shop to meet Jeff, a 30-something fashion photographer she met on the Internet. But before she knows it, she's mixing drinks at Jeff's place and stripping for an impromptu photo shoot. It's Jeff's lucky night. But Hayley isn't as innocent as she looks, and the night takes a turn when she begins to impose a hard-hitting investigation on Jeff in an attempt to reveal his possibly scandalous past.The supercharged possibilities of a single set and two amped-up actors are explored in Hard Candy, a twisted cocktail with a poison kicker. After a flirtatious encounter in an online chat room, two people agree to meet for coffee: a 32-year-old man (Patrick Wilson) and a 14-year-old girl (Ellen Page). They quickly! advance to his house, and just as quickly, the apparent pedophilic seduction morphs into something else entirely. After the tables turn, Hard Candy becomes a tale of revenge and torture that might have tempted a filmmaker like Park Chanwook. Here, first-time feature director David Slade opts for a slick look that stays close to the actors, and you can't really blame him--this movie is like a conceptual, more-than-slightly unbelievable off-Broadway play, a showcase for actors and "controversial" ideas. Those actors are strong: Patrick Wilson (Angels in America, Phantom of the Opera) is every bit as creepy as he needs to be, and Ellen Page has nothing short of a triumph. The Canadian actress was around 18 when she shot the film, but looks like an adolescent, which makes her authoritative wrath all the more shocking to witness. The provocations of Hard Candy sometimes seem arbitrary or forced, but Page's electrifying performance can't be denied, o! r dismissed. --Robert HortonA traditional favorite sour! , hard c andy
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The Best of Dudley Do-Right, Vol. 1

  • DoRight always does right somehow! He's back! The only Mountie ever to arrest a redwood tree . for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his
Follow the hilarious exploits of the dedicated but hapless young Mountie as he struggles to outwit the evil Snidely Whiplash.
Genre: Feature Film-Comedy
Rating: PG
Release Date: 6-JAN-2004
Media Type: DVDBrendan Fraser (George of the Jungle, The Mummy) brings his considerable charm to this awkward live-action version of the classic cartoon Dudley Do-Right. The first half of the movie lays out the basic elements of the cartoon (none-too-bright Canadian ! Mountie battles melodrama villain Snidely Whiplash with pluck and dumb luck) with little wit or imagination, but lots of pratfalls and broad gags. But about halfway into it, when Whiplash has taken over the town of Semi-Happy Falls and become its leading citizen, the movie takes a curious turn: Since Whiplash has become, to all appearances, a good guy, Dudley decides the only way to fight him is to turn into a bad guy. Next thing you know, Dudley is decked out in black leather and cruising around on a motorbike while Whiplash fumes impotently. Bullwinkle fans may decry this departure, but it gives the movie a much-needed burst of energy and the opportunity for some entertainingly surreal images--like Whiplash up to his neck in a mudbath with cucumber slices on his eyes, consulting with his henchmen about dealing with that unpredictable Do-Right. With Alfred Molina, Sarah Jessica Parker, and Monty Python's Eric Idle. --Bret FetzerDoRight always does righ! t somehow! He's back! The only Mountie ever to arrest a redwo! od tree ... for loitering!!! With a little dumbluck, this squarejawed Canadian always gets his man." .Featuring Dudley's most hilarious casefiles!Learn how he joined the Mounties in "Mother Whiplash's Log Jam"! Empathize with his unrequited love for the fair and lovely Nell in "Niagara Falls." Pity his pathetic allergy in "Marigolds"! Each cartoon pits him against that nefarious ne'erdowell Snidely Whiplash! Wittily written and voiced, these timeless classics are a fond salute to oldtime melodrama and remain some of the funniest cartoons ever made.
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Elektra (Widescreen Edition)

  • TESTED
ELEKTRA (DIRECTOR'S CUT) - Blu-Ray MovieWhile 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous refe! rences to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone. --David HoriuchiFROM THE FORCES THAT BROUGHT YOU X-MEN AND DAREDEVIL?Superstar Jennifer Garner proves that looks can kill as the sexiest action hero ever to burst from the pages of Marvel Comics. Restored to life after sust! aining mortal wounds in Daredevil, an icy, solitary Elektra (G! arner) n ow lives only for death as the world?s most lethal assassin. Using her bone-crunching martial arts skills and Kimagure?the ability to see into the future?Elektra is on a collision course with darkness? until her latest assignment forces her to make a choice that will lead either to her redemption or destruction in the ultimate battle between good and evil!While 2003's Daredevil was a conventional superhero movie, the 2005 spinoff, Elektra, is more of a wuxia-styled martial arts/fantasy flick. Elektra (Jennifer Garner) has returned to her life as a hired assassin, but she balks at an assignment to kill a single father (Goran Visnjic, ER) and his teenage daughter (Kirsten Prout). That makes her the target of the Hand, an organization of murderous ninjas, scheming corporate types, and a band of stylish supervillains seeking to eliminate Elektra and tip the balance of power in the ongoing battle of good vs. evil.

As the star of Alias, ! Garner has proven that she can kick butt with the best of them, and some of the visual effects are impressive, but the action sequences tend to be anticlimactic, and there's not much to the story. Fans will notice numerous references to Frank Miller's comic books, but there's very little resemblance to Miller's cold-blooded killer (Elektra with an agent? Elektra referring to herself as a "soccer mom"?).

Is Elektra better than Daredevil? Not really, even with the distinct advantage of having all Garner and no Ben Affleck. That could be the spinoff's greatest disappointment: after Spider-Man 2 raised the bar for comic-book movies, Elektra lowered it back to Daredevil's level. Directed by Rob Bowman (the X-Files movie), and featuring Terence Stamp as the mysterious mentor Stick, Will Yun Lee (Die Another Day) as the chief villain, and NFL-player-turned-mixed-martial-arts-champion Bob Sapp as the immovable Stone.

DVD features
Ben Affleck's much-rumored cameo is on! e of the deleted scenes on the Elektra DVD. It's a one-minute throwaway, and while he's supposedly appearing as Matt Murdock (who romanced Elektra in Daredevil), the barrage of celebrity gossip makes it impossible to see him as anything other than Jennifer Garner's real-life boyfriend. There's also a making-of featurette, which is mostly promotional hype other than a few interesting effects shots; four editing featurettes; and Jennifer Garner's videotaped message to ComicCon. --David Horiuchi

More on Elektra


Elektra: The Album (Soundtrack CD)
Elektra: The Movie (Comic Adaptation)
Frank Miller Comic Books

Daredevil (Director's Cut) (DVD)
Jennifer Garner stars in Alias (DVD)
More Superhero DVDs

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Green Street Hooligans

  • A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.Running Time: 108 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 012569760295 UPC: 012569760295 Manufacturer No: 76029
A wrongfully expelled Harvard undergrad moves to London, where he is introduced to the violent underworld of soccer hooliganism.

DVD Features:
Documentary:The Making of Hooligans
Music Video:"One Blood" Music Video by Terence Jay

After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets ! him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish anticsâ€"to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylized fight sequences. Consequently, humor is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) ! correlation between the two, Green Street makes a fine ! taster f or Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy
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Certified Copy [Blu-ray]

  • UK Import
  • Blu-ray
  • Region-Free
I Want My MTV. Think Small. Just Do It. Got Milk? Where do these phrases come from? ART & COPY introduces the cultural visionaries who revolutionized advertising during the industry s golden age in the 1960s by creating slogans to live by and ads we all remember. You may have never heard of them, but pop pioneers Lee Clow, Hal Riney, George Lois, Mary Wells, Jeff Goodby, Rich Silverstein, Phyllis K. Robinson, Dan Wieden, and David Kennedy have changed the way we eat, work, shop, and communicate often in ways we don t even realize. From the introduction of the Volkswagen to America to the triumph of Apple Computers, ART & COPY explores the most successful and influential advertising campaigns of the 20th century, and the creative minds that launched them.George Clooney (The Perfect Storm) and John Turturro (Cars 2)embark on the advent! ure of a lifetime in this hilarious, offbeat road picture. And now, for the first time, this quirky gem shines more brightly than ever in Blu-ray High Definition! Fed up with crushing rocks on a prison farm in Mississippi, the dapper, silver-tongued Ulysses Everett McGill (Clooney) busts loose...except he's still shackled to two misfits from his chain gang: bad-tempered Pete (Turturro), and sweet, dimwitted Delmar (Tim Blake Nelson). With nothing to lose and buried loot to regain, the three embark on a riotous odyssey filled with chases, close calls, near misses and betrayal. Experience every unpredictable moment as it plays out in the crystal-clear sound and breathtaking picture quality of Blu-ray. Populated with strange characters, including a blind prophet, sexy sirens, and a one-eyed Bible salesman (John Goodman), O Brother, Where Art Thou? will leave you laughing at every outrageous and surprising twist and turnOnly Joel and Ethan Coen, the fraternal director an! d producer team behind art-house hits such as The Big Lebow! ski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of lo! oping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip KempUnited Kingdom released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), French ( Dolby Digital 5.1 ), French ( Dolby DTS-HD Master Audio ), Italian ( Dolby Digital 5.1 ), Italian ( Dolby DTS-HD Master Audio ), English ( Subtitl! es ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Interactive Menu,! Making Of, Scene Access, Trailer(s), SYNOPSIS: ***ATTENTION***Film contains English subtitles; Audio is a mix of English, French and Italian languages***From acclaimed director Abbis Kiarostami (Taste of Cherry, The Wind Will Carry Us) comes the story of a couple's apparent chance meeting in beautiful Tusccany. He (William Shimell) is a British author in town to talk about his new book. She (Juliette Binoche) is a French gallery owner in search of originality. Together they tour the local galleries, cafes and museums and discover that nothing is quite what it seems and truth, like art, is always open to interpretation. A captivating film, Certified Copy marries post-modern reality games with mature romantic comedy in a single playful and provocative package. SCREENED/AWARDED AT: Cannes Film Festival, ...Certified Copy (2010) ( Copie conforme ) ( Copia conforme )
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Delorean Back To The Future, Part III

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Footloose

  • Footloose
  • Dianne Wiest
  • John Lithgow
  • Kevin Bacon
  • Lori Singer
FOOTLOOSE: Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise." FLASHDANCE: A hit movie that became a cultural sensation, Flashdance delivers an electrifying mix of music, drama and dance that dazzles the senses as it touches the heart. Jennifer Beals stars as Alex! Owens, a fiercely determined 18-year-old with one all-consuming dream: to study at the Pittsburgh Conservatory of Dance. Working during the day as a welder and at night as an exotic dancer. Alex bravely pursues her dream, undertaking an unforgettable journey that reveals the power of her convictions and teaches her the meaning of love. Directed by Adrian Lyne (Fatal Attraction, 9 ½ Weeks) and featuring the Oscar â€"winning song "Flashdanceâ€"What a Feeling," Flashdance is sparkling entertainment.Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Wil! liams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out f! or A Her o," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is f! orbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Studio: Paramount Home Video Release Date: 09/27/2011 Run time: 107 minutes Rating: PgFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the ! minister's daughter (Lori Singer). A treasury of Top 10 songs-! Kenny Lo ggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the sam! e anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer).

A treasury of Top 10 songs: Kenny Loggins' "Footloose," Shalamar's "Dancing In The Sheets," Deniece Williams's "Let's Hear It For The Boy," Bonnie Tyler's "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing ha! s been banned. Ren revolts with best friend Willard (Chris Pen! n) and t he minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminisce! nt of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Japanese only paper sleeve pressing includes four bonus tracks. Sony. 2009.There's a popular movie trivia game called Six Degrees of Kevin Bacon whose rough hypothesis is that the actor is somehow the center of the cinematic universe. One doesn't get very far into the game without encountering Footloose. The film that seems destined to become an 80's camp classic (repressed Midwestern youth bravely fighting for their right to dance) was also a notable trailblazer in the pop song soundtrack marketing scam, i.e. line up a bunch of contemporary hit makers and have them cut a batch of songs that might not be germaine to the film's plot but will sell oodles of units. But damned if Footloose isn't a classic slice--for better or worse--of mid-'80s, album-oriented rock. This kind of instant era-compilation must mak! e the folks at K-Tel very nervous. --Jerry McCulley Foo! tloose [ VHS] [VHS Tape] (1984) Kevin Bacon; Lori Singer; John LithgowFootloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dan! cing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Director Herbert Ross ("The Turning Point") pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really em! bracing the drama of Dean Pitchford's screenplay, and Ross's i! maginati ve, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. "--Tom Keogh"Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score. It portrays the timeless struggle between innocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 songs-Kenny Loggins "Footloose," Shalamar "Dancing In The Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out for A Hero," and the Footloose love theme, "Almost Paradise."Director Herbert! Ross (The Turning Point) pulled a winning movie out of this almost self-consciously archetypal tale of teenage rock rebellion. Kevin Bacon stars as a hip city kid who ends up in a Bible-belt town after his parents divorce. An ill fit for a conservative community where rock is frowned upon and dancing is forbidden, Bacon's character rallies the kids and takes on the establishment. Between a good cast really embracing the drama of Dean Pitchford's screenplay, and Ross's imaginative, highly charged way of shooting the dance numbers, you can get lost in this all-ages confection, and you won't even mind Kenny Loggins's bubbly pop. Bonuses include one of John Lithgow's best performances (a bit reminiscent of Jimmy Stewart), and Christopher Penn (who sure doesn't look the same anymore) as a good-natured hick who learns to boogie. --Tom Keogh Footloose jumps with spirit, dazzling dance numbers and an electrifying musical score (five SIZZLING hit songs!) in the tradit! ion of FLASHDANCE. It portrays the timeless struggle between i! nnocent pleasure and rigid morality, when city-boy Ren McCormick (Kevin Bacon) finds himself in an uptight Midwestern town where dancing--and therefore all youthful joy--has been banned. Ren revolts with best friend Willard (Chris Penn) and the minister's daughter (Lori Singer). A treasury of Top 10 Songs--Kenny Loggins "Footloose," Shalamar "Dancing in the Sheets," Deniece Williams "Let's Hear It For The Boy," Bonnie Tyler "Holding Out For a Hero," and the FOOTLOOSE love theme, "Almost Paradise."
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The Alphabet Killer

  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



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