Wednesday, November 9, 2011

The Hangover (Rated Single-Disc Edition)

  • Condition: New
  • Format: DVD
  • Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; Widescreen; NTSC
From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve.From The Hangover director Todd Phillips, Due Date throws two unlikely companions together on a road ! trip that turns out to be as life-changing as it is outrageous. Expectant first-time father Peter Highman (Robert Downey Jr.) looks forward to his new child’s due date five days away. As Peter hurries to catch a flight home from Atlanta to be at his wife’s side for the birth, his best intentions go completely awry when an encounter with aspiring actor Ethan Tremblay (Zach Galifianakis) forces Peter to hitch a ride with Ethan on a cross-country trip that will ultimately destroy several cars, many friendships and Peter’s last nerve. Due Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine! Months with a little of The Odd Couple thrown in. ! The writ ing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, who's a version of every character Galifianakis has played to date--slovenly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not t! oo ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyDue Date is such a broad comedy, it needs the width of the whole United States in which to play out. Director Todd Phillips (The Hangover) lets the gross-out comedic charms of his frequent star Zach Galifianakis run wild, which is exactly what Galifianakis fans want. And Robert Downey Jr. reminds viewers of his appealing straight-man comic talents, too. Due Date is like Planes, Trains and Automobiles meets Nine Months with a little of The Odd Couple thrown in. The writing of Due Date is uneven--perhaps a result of its having had a minimum of six screenwriters working on it. And run time, at only 100 or so minutes, seems much longer. But Due Date gets its energy and charge from its two stars and from Phillips's slaphappy direction. Galifianakis plays Ethan, w! ho's a version of every character Galifianakis has played to d! ate--slo venly, irresponsible, and uncensored. Downey is Peter, a straitlaced new father-to-be, who through an improbable series of unfortunate events can find no other way to get across the country for the birth of his first child than to hitch a ride with Ethan. If the situation is somewhat predictable, the comedic moments are not--though by halfway though the trip, viewers may wonder if Peter will be able to resist strangling Ethan with his own scarf, or worse. The deft supporting cast includes Michelle Monaghan as Peter's wife, Jamie Foxx (in kind of a throwaway role), and Juliette Lewis, appealing and not too ditzy. Viewers who love Phillips's and Galifianakis's trademark slapstick shtick will find plenty to laugh about on this long, strange trip. --A.T. HurleyMovie Summary A first time expectant father has an adventurous trip with an aspiring actor while travelling cross country to be with his expecting wife. DVD Details * Actor(s): Robert Jr. Downey * Format: Widescreen! * Soundtrack: English * Additional: Additional Footage Behind the Scenes Include Digital Copy * Rating: R * MSRP: $35.99 * Release Date: 2 22 2011 * Number of Discs: 2“A smart, funny and original treat,” Michael O'Sullivan, The Washington Post, DreamWorks Animation’s Megamind puts a whole new hilarious twist on the superhero movie.

Super villain Megamind's (Will Ferrell) dreams have come true when he conquers the city's protector Metro Man (Brad Pitt) gaining control of Metro City. But when a new villain (Jonah Hill) is created and chaos runs rampant, the world's biggest "mind" and his comic sidekick Minion (David Cross) might actually save the day. With an all-star cast - including Tina Fey - and amazing animation, Megamind is packed with high-flying action and non-stop laughs. Villainy is a way of life, but if a villain doesn't have a hero to battle, can he still expect the same sense of satisfaction from his evil deeds? When Megamind (Will Ferrell) final! ly defeats his long-time nemesis Metro Man (Brad Pitt), he ecs! taticall y goes about laying ruin to Metro City, reveling in the fact that he can now have anything he wants. Surprisingly, Megamind's glee quickly turns to dissatisfaction as he realizes that the battle was half the fun and everything comes too easy now. Thus begins a plot to turn the nerdy Hal (Jonah Hill) into Tighten, a new hero for Megamind to battle. What Megamind doesn't count on is that Tighten may not turn out to be as good as he's meant to be. Nor does he anticipate falling in love with his old rival's girl Roxanne Ritchi (Tina Fey). In the end, Megamind finds he must rethink his assumptions about good, bad, and what makes him happy. Megamind and Despicable Me are remarkably similar movies: both deal with villains who are unfulfilled by their evil ways and who, despite their despicable natures, have some essential goodness deep down inside. Both villains are presented in highly stylized animation and the 3-D effects in each film are skillful and effective with! out being overdone. Megamind has Minion, who watches over him, while Gru has a whole crew of mindless minions supporting his evil ventures. Finally, both films are solidly entertaining. Because the two films were released within a few months of one another, speculation about who copied who will no doubt run rampant, but the bottom line is that both films are well worth seeing. (Ages 7 and older) --Tami HoriuchiA las vegas-set comedy centered around three groomsmen who lose their about-to-be-wed buddy during their drunken misadventures then must retrace their steps in order to find him. Studio: Warner Home Video Release Date: 12/15/2009 Starring: Bradley Cooper Heather Graham Run time: 100 minutes Rating: RIf you like your humor broadside up, hold the subtlety, you'll want to nurse this Hangover with your best buds. The ensemble cast meshes perfectly--it's like a super-R-rated episode of Friends: silly, slapstick, and completely in the viewer's face! . When four pals go to Vegas to celebrate the imminent nuptial! s of one of them, they partake in a rooftop toast to "a night we'll never forget." But they're in for a big surprise: their celebration drinks were laced with date-rape drugs, so when they awake in their hotel room 12 hours later, not only are they hung over, but they can't remember what they did all night long. Oh, and they're missing the groom-to-be.

The film is so cheerfully raunchy, so fiercely crude, that the humor becomes as intoxicating as the mind-altering substances. The standout in the ensemble is Zach Galifianakis, who is alternately creepy and hilarious. Ed Helm (The Office), in addition to his memory, loses a tooth in uncomfortably realistic fashion, and Bradley Cooper (He's Just Not That into You) has deadpan comic timing that whips along at the speed of light. "Ma'am, you have an incredible rack," he blares to a pedestrian from the squad car the guys have "borrowed." "I should have been a [bleeping] cop," he tells himself approvingly.

Director Tod! d Phillips brings back his deft handling of the actors and the dude humor that worked so well in Old School, as well as the unctuous Dan Finnerty, memorable as a lounge/wedding singer in both films. But it's the nonstop volley of jokes--most cheerily politically incorrect--that grabs the audience and thrashes it around the hotel room. Just watch out for the tiger in the bathroom. --A.T. Hurley

Beetlejuice (20th Anniversary Deluxe Edition)

The Anti-Christ

  • ISBN13: 9781936594269
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Lars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest! corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against age-old superstition; and a profoundly effective horror film.Lars von Trier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gains! bourg, one senses the ensuing downward spiral.

While the ! film's p lot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, the film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in ! violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbolism it successfully establishes. --Trinie DaltonLars von Trier (Europa, Breaking the Waves, Dancer in the Dark) shook up the film world when he premiered Antichrist at the 2009 Cannes Film Festival. In this graphic psychodrama, a grief-stricken man and womanâ€"a searing Willem Dafoe (Platoon, The Last Temptation of Christ) and Cannes best actress Charlotte Gainsbourg (Jane Eyre, 21 Grams)â€"retreat to a cabin deep in the woods after the accidental death of their infant son, only to find terror and violence at the hands of nature and, ultimately, each other. But this most confrontational work yet from one of contemporary cinema’s most controversial artists is no mere provocation. It is a visually sublime, emotionally ravaging journey to the darkest corners of the possessed human mind; a disturbing battle of the sexes that pits rational psychology against ag! e-old superstition; and a profoundly effective horror film.Lar! s von Tr ier's notorious Antichrist is a fascinating and extremely gruesome experiment that combines B-horror tropes with art film concepts and cinematography to question differences between high horror and low horror, if there are such categories. Like the best of Argento, namely Suspiria, Antichrist follows a strictly formulaic, minimalist, almost operatic script structure in which the story of a couple, played by Willem Dafoe and Charlotte Gainsbourg, grieve their dead son. The highly organized story, like a poem, has ample space for metaphors to form, dwell, and transform into overgrown mysteries, such as the decadent forest, Eden, where the couple retreat to their cabin to face demons. When the camera zooms in on a flower vase's murky water on the nightstand beside a bereft Gainsbourg, one senses the ensuing downward spiral.

While the film's plot, marked by chapters named after stages of grief, like "Pain" and "Despair," is rooted in absolute realism, t! he film's glorious moments are in its fantasy. There is a talking fox, subtle hints at ghostly occurrences, and many scenes that express the uncanny. Moreover, Gainsbourg's character, obsessed with witchcraft as it relates to historical gynocide and misogyny, adds much to the film's depressing sensibility that wallows unapologetically in decrepitude and faulty, negative reasoning. Dafoe, who plays the psychologist treating his hallucination-plagued wife, does a remarkable job depicting a person struggling through loss with logic. Antichrist works because Dafoe and Gainsbourg create archetypal characters, functioning symbolically as Logic and Psychosis in a Freudian maze with no exit. That said, the violent conclusions in the film's third chapter, "Despair (Gynocide)," are grim, graphic, and very difficult to watch. Antichrist, like its sister film in violence portrayed artfully, Irreversible, has all the more shock value because of the archetypal symbol! ism it successfully establishes. --Trinie DaltonHere is! Friedri ch Nietzsche's great masterpiece The Anti-Christ, wherein Nietzsche attacks Christianity as a blight on humanity. This classic is essential reading for anyone wishing to understand Nietzsche and his place within the history of philosophy. "We should not deck out and embellish Christianity: it has waged a war to the death against this higher type of man, it has put all the deepest instincts of this type under its ban, it has developed its concept of evil, of the Evil One himself, out of these instincts-the strong man as the typical reprobate, the 'outcast among men.' Christianity has taken the part of all the weak, the low, the botched; it has made an ideal out of antagonism to all the self-preservative instincts of sound life; it has corrupted even the faculties of those natures that are intellectually most vigorous, by representing the highest intellectual values as sinful, as misleading, as full of temptation. The most lamentable example: the corruption of Pascal, who beli! eved that his intellect had been destroyed by original sin, whereas it was actually destroyed by Christianity!" -Friedrich Nietzsche

Whisker World Sisal Duplex Cat Furniture, Beige Carpet

  • Three columns of sisal posts make this duplex a feline favorite!
  • Carpeted base is 17" L by 17" wide by 22" high.
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DUPLEX - DVD MovieAnyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the hapless pair begin to consider more serious (and final) measures. Duple! x might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein, and Swoosie Kurtz. --Bret FetzerHollywood favorites Ben Stiller (Little Fockers) and Drew Barrymore (Going the Distance) lead a star-studded cast in this darkly hilarious comedy where one wrong move turns out to be a monumental mistake! Young and vibrant New Yorkers Alex (Stiller) and Nancy (Barrymore) have just found the perfect place to settle down and share a bright future. But their new home comes with a permanent fixture they didnt expectan obnoxious elderly tenant who wont move out and refuses to die! Pushed to the edge of insanity as their dream home turns into a nightmare, its only a matter of time before Alex and Nancy begin to entertain some truly sinister solutions to the problem! Directed by Danny DeVito, D! uplex is another laugh-packed crowd-pleaser you dont want ! to miss! Anyone who's lived in an apartment will understand the mounting frustration of Ben Stiller and Drew Barrymore as they grapple with the upstairs neighbor of their worst nightmares in Duplex, directed by Danny DeVito. Stiller and Barrymore play a young couple who think they've found the home of their dreams when they buy an astonishingly spacious Brooklyn duplex. Unfortunately, the second floor comes with a tenant, a seemingly sweet little old lady (Eileen Essell). Her petty demands and manipulative ways drive Stiller and Barrymore to desperate attempts to oust her--and when she breezily resists their worst efforts, the hapless pair begin to consider more serious (and final) measures. Duplex might be called a comedy of anxiety; it constantly pricks at your expectations of disaster, sending you into a nervous state that demands laughter as a release. Also featuring Wallace Shawn, Harvey Fierstein, and Swoosie Kurtz. --Bret Fetzer,b>MY BOSS'S DAUGHTER When ambitious junior executive Tom Stansfield (Ashton Kutcher, No Strings Attached) accepts an invitation to the stately home of his grouchy boss (Terence Stamp), he thinks it's for a big date with his boss's sexy daughter (Tara Reid, Van Wilder). But Tom gets a big surprise when hes expected to house-sit! While he's left to hold down the fort, Tom's out-of-control co-workers begin showing up ready to party. Also featuring Molly Shannon and Carmen Electra.

DUPLEX
Young and vibrant New Yorkers Alex (Ben Stiller, Little Fockers) and Nancy (Drew Barrymore, Going the Distance) have just found the perfect place to settle down and share a bright future. But their new home comes with a permanent fixture they didn't expectâ€"an obnoxious elderly tenant who won't move out and refuses to die! Pushed to the edge of insanity as their dream home turns into a nightmare, it's only a matte! r of time before Alex and Nancy begin to entertain some truly ! sinister solutions to the problem!It is no secret that investing in real estate can significantly boost one's income. Many people begin by investing in single-family residential properties and work their way up to commercial properties, such as duplexes, triplexes, and quads. However, moving from one to the other may seem like a big leap. This new book, The Complete Guide to Investing in Duplexes, Triplexes, Fourplexes, and Mobile Homes, will make the transition effortless, as it explains everything you need to know in easy-to-understand language and points out dozens of hints and suggestions. By reading this new, extensively-researched book, you will become knowledgeable in all areas of commercial real estate investing, including cash flow, appreciation, tax benefits, equity buildup and leveraging, due diligence, gross rental income, vacancy loss, operating expenses, debt service, zoning, triple net leases, and contracts. You also will learn about the potential gains and losses, th! e consequences, loans, proven techniques, effective strategies, advantages and disadvantages of direct and indirect investing, and asset management techniques. In addition, you will discover how to buy with no money down, how to get cash back at closing, how to eliminate your risk, how to decide whether to buy or hold, how to keep good tenants, how to determine and compare property value, how to structure deals, how to limit your personal liability, how to inspect a building, how to take out a mortgage, how to secure financing, how to negotiate, how to read economic cycles, how to avoid the common mistakes, and how to decipher tax issues. You will be prepared for restrictions pertaining to children, pets, parking, vehicles, boats, music, maintenance, club memberships, recreation facility leases, use of recreational facilities, and common areas. Whether you are a new investor looking to get started or a seasoned veteran looking to enhance your portfolio, The Complete Guide t! o Investing in Duplexes, Triplexes, Fourplexes, and Mobile Hom! es will provide you with all the information you need to accomplish your investment goals.A young couple, Alex and Nancy finally found their dream home. They moved into a gorgeous duplex in the perfect New York neighborhood. All they have to do is bump off the current tenant, a cute little old lady.The DCP-7065DN is a laser multi-function copier with networking and automatic duplex ideal for small offices or home offices. It produces fast, high-quality monochrome laser printing and copying at up to 27ppm, as well as color scanning into one space-saving design. It also offers automatic duplex for producing for two-sided output and a built-in Ethernet interface for sharing with others on your network. The DCP-7065DN provides flexible paper handling via an adjustable, 250-sheet capacity tray and a manual by-pass slot for printing thicker media. A 35-page capacity automatic document feeder allows you to copy or scan multi-page documents quickly and easily. Additionally, it offers a high! -yield 2, 600-page replacement toner cartridge to help lower operating costs.The Whisker World Sisal Duplex Cat Furniture is made up of three columns wrapped with sisal rope, a carpeted perch top, three dangling cat toys and a catnip holding station in the middle of the base.

Black Gold

  • Game of bidding, strategy and exploration
  • Finish the game with the most wealth to win
  • Offers an abundance of intriguing gameplay choices
  • Number of players 2-5
  • Playing time 60-120 mins

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill me now. Yet with all his friends settling down he’s begun to think there may actually be something to this love-and-roses crap.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about mo! re than her caribou research project. It’s her declaration of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, shifters being naughty in public places, the Midnight Sun as a canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Their wolves are howling at the moon. Their human halves are on different planets.

Takhini Wolves, Book 1

Lone wolf Shaun Stevens’s automatic response to the words “happily ever after”? Kill ! me now. Yet with all his friends settling down he’s begu! n to thi nk there may actually be something to this love-and-roses crap.

One thing’s for sure: his dream mate will have to out-cuss, out-spit and out-hike him. So he never expected the one to push his forever button would be a blue-blooded Southern debutante with a voice as dark and velvety as her skin.

When Gemmita Jacobs steps off the plane in Whitehorse, Yukon, it’s about more than her caribou research project. It’s her declaration of independence from an overprotected upbringing. Except there’s something in the air she can’t quite defineâ€"something that unexpectedly rouses her mating instincts.

Moments after their eyes lock, the deed is doneâ€"and done thoroughly. When the pheromone dust settles, though, all the reasons they don’t belong together become painfully clear.

It’s enough to make a wolf learn a whole new set of cuss words…

Warning: Two strong wolves getting exactly what they deserve. Includes wilderness nookie, s! hifters being naughty in public places, the Midnight Sun as a canopy for seduction and grizzly shifters on the loose. Oh, and don’t forget the sarcasm.

Film is for HOME USE ONLY! Copies for public screenings or use in the classroom can be purchased from California Newsreel at www(dot)newsreel(dot)org
After oil, coffee is the most actively traded commodity in the world. But for every $2 cup of coffee, a farmer receives only a few pennies. Black Gold asks us to face the unjust conditions under which our favorite drink is produced and to decide what we can do about it. The film traces the tangled trail from the two billion cups of coffee consumed each day back to the coffee farmers who produce the beans. Founder of the Oromia Coffee Farmers Cooperative Union, Tadesse Meskela is fighting to help his 70,000 Ethiopian coffee farmers by seeking out buyers willing to pay a fair price. Through his journey, Tadesse begins to expose the web of greed ! and corruption inherent to the international trading system, i! ncluding the World Trade Organization. Black Gold reminds viewers of their power to affect positive social change by way of their consumer vote. After seeing this film your coffee will never taste the same.
Film contains overprinting warning against public use in 3 points during the film, at 5 second intervals.Billy "Goldie" Goldean is the biggest pop star in the world and he's harboring a terrible, career-killing secret: he's gay. Even with song titles such as "Astral Glider" and "Winking Brown Eye," few question Goldie's squeaky-clean teen heartthrob status. That is, until Jethro "Jett" Black, an infamous womanizer and underground punk icon, names him in the pages of Rolling Stone magazine as the celebrity he'd most like to fuck.

After Goldie and Jett hook up at an industry party, Goldie's management dumps him, Jett's exes come back to haunt them, and even Goldie's mother makes a public plea for him to come to his senses. Goldie wants to trust his u! ntamed new lover but the pressures of fame may tear them apart.

Publisher's Note: This book contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Male/male sexual practices.Billy "Goldie" Goldean is the biggest pop star in the world and he's harboring a terrible, career-killing secret: he's gay. Even with song titles such as "Astral Glider" and "Winking Brown Eye," few question Goldie's squeaky-clean teen heartthrob status. That is, until Jethro "Jett" Black, an infamous womanizer and underground punk icon, names him in the pages of Rolling Stone magazine as the celebrity he'd most like to fuck.

After Goldie and Jett hook up at an industry party, Goldie's management dumps him, Jett's exes come back to haunt them, and even Goldie's mother makes a public plea for him to come to his senses. Goldie wants to trust his untamed new lover but the pressures of fame may tear them apart.

Publisher'! s Note: This book contains explicit sexual content, graphic la! nguage, and situations that some readers may find objectionable: Male/male sexual practices.FFGVA67 Black Gold by Fantasy Flight Games

Join the race to become the wealthiest son of a gun in West Texas. The year is 1922. The Texas Oil Boom has been in full swing for 20 years, and greedy landowners have laid claim to most of the oil reserves. Prepare to head West, surveying the Permian Basin for profitable gushers and gaining more wealth than your fellow prospectors, before the companies of East Texas sweep in and stake their claim against you.
Black Gold is a game of drilling and discovery for 2 to 5 prospectors, and play can last from 1 to 2 hours. Offering an abundance of intriguing gameplay choices and optional rules, Black Gold presents a new experience of strategy and exploration every time. The historically inspired and detailed game components, together with the tense and exciting atmosphere of warring against your fellow prospectors, will almost have you speak! ing with a twang. Black Gold includes-Rulebook, Over 100 plastic pieces, Over 150 cards, 1 foldout board, 6 modular land tiles, Over 100 tokens, and 1 custom die

Dance Flick : Widescreen Edition

  • Widescreen
Street dancer Thomas Uncles is from the wrong side of the tracks, but his bond with the beautiful Megan White might help the duo realize their dreams as they enter into the mother of all dance battles.The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (! Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











DANCE FLICK - Blu-Ray MovieThe spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directing, from a script written by him and Keenen Ivory Wayans, Shawn Wayans, Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everythi! ng that pops into their heads: Twilight, Dick Cheney, ! the self -consciousness of interracial romance. There are a few laughs, but in the absence of a sustained comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas as a baby stored in a high school locker. --Tom Keogh

Stills from Dance Flick (Click for larger image)











The spoof movie Dance Flick is the creation of an army of normally funny Wayans men: Damien Dante Wayans directi! ng, from a script written by him and Keenen Ivory Wayans, Shaw! n Wayans , Marlon Wayans, and Craig Wayans. Craig Wayans and Damon Wayans Jr. star in what should have been, in the tradition of Airplane!, a rich parody of a genre that could use a little spoofing, i.e., earnest dance movies in the vein of High School Musical, Flashdance, and, especially, Save the Last Dance. Damon Wayans Jr. plays a determined, African American hip-hop dancer named Thomas Uncles, who becomes romantically and artistically involved with a white wannabe ballerina (Shoshana Bush in the Julia Stiles role from Last Dance). Dance Flick goofs on Last Dance in obvious and silly ways, but the Wayans also take shots at just about everything that pops into their heads: Twilight, Dick Cheney, the self-consciousness of interracial romance

Coby CVE92 Isolation Stereo Earphones

  • In-ear isolation design helps block background noise
  • High-performance 10mm drivers for full-range sound with deep bass
  • Sleek, lightweight design for serious portability
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The #1 New York Times bestseller by Kathryn Stockett comes to vivid life through the powerful performances of a phenomenal ensemble cast. Led by Emma Stone, Academy Award®-nominated Viola Davis (Best Supporting Actress, Doubt, 2008), Octavia Spencer and Bryce Dallas Howard, The Help is an inspirational, courageous and empowering story about very different, extraordinary women in the 1960s South who build an unlikely friendship around a secret writing project â€" one that breaks society’s rules and puts them all at risk. Filled with poignancy, humor and hope â€" and complete with compelling, never-before-seen bonus fea! tures â€" The Help is a timeless, universal and triumphant story about the ability to create change.There are male viewers who will enjoy The Help, but Mississippi native Tate Taylor aims his adaptation squarely at the female readers who made Kathryn Stockett's novel a bestseller. If the multi-character narrative revolves around race relations in the Kennedy-era South, the perspective belongs to the women. Veteran maid Aibileen (Doubt's Viola Davis in an Oscar-worthy performance) provides the heartfelt narration that brackets the story. A widow devastated by the death of her son, she takes pride in the 17 children she has helped to raise, but she's hardly fulfilled. That changes when Skeeter (Easy A's Emma Stone) returns home after college. Unlike her peers, Skeeter wants to work, so she gets a job as a newspaper columnist. But she really longs to write about Jackson's domestics, so she meets with Aibileen in secret--after much cajoling and the promise ! of anonymity. When Aibileen's smart-mouthed friend Minny (brea! kout sta r Octavia Spencer) breaches her uptight employer's protocol, Hilly (Bryce Dallas Howard) gives her the boot, and she ends up in the employ of local outcast Celia (Jessica Chastain, hilarious and heartbreaking), who can't catch a break due to her dirt-poor origins. After the murder of Medgar Evers, even more maids, Minny among them, bring their stories to Skeeter, leading to a book that scandalizes the town--in a good way. Not since Steel Magnolias has Hollywood produced a Southern woman's picture more likely to produce buckets of tears (and almost as many laughs). --Kathleen C. Fennessy

With more than 3 million copies sold, the #1 New York Times bestseller is now available in a special gift edition.

A modern classic, The Help has been a cultural touchstone for the millions of readers who have cheered on Skeeter, laughed with Minny, and hissed at Hilly. The noble and strong Aibileen has become a heroine for countless fans whose let! ters have poured in from all over the world. Now the bestselling and beloved book is available in a deluxe gift edition.

The Help has been on bestseller lists for longer than any other hardcover fiction title since The Da Vinci Code. It was USA Today's 2009 Book of the Year and has been published in thirty-seven countries around the world.

The movie The Help, produced by DreamWorks and 1492 Pictures, is scheduled for a major motion-picture release in August 2011.

This beautiful edition, destined to be passed down from generation to generation, is filled with special features, including:
-satin ribbon marker
-printed endpapers
-cloth bound
-two-color interior printing

This deluxe gift edition is the perfect gift for someone you love-or as a special treat for yourself.

The wildly popular New York Times bestseller and reading group favorite.

Aibileen is a black maid in 19! 62 Jackson, Mississippi, who's always taken orders quietly, bu! t lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seemingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...The wildly popular New York Times bestseller and reading group favorite.

Aibileen is a black maid in 1962 Jackson, Mississippi, who's always taken orders quietly, but lately she's unable to hold her bitterness back. Her friend Minny has never held her tongue but now must somehow keep secrets about her employer that leave her speechless. White socialite Skeeter just graduated college. She's full of ambition, but without a husband, she's considered a failure. Together, these seem! ingly different women join together to write a tell-all book about work as a black maid in the South, that could forever alter their destinies and the life of a small town...Coby CVE92 Isolation Stereo Earphones are a great replacement for your missing MP3 player phones. These silicone earplugs boast a super lightweight and portable design, offering great sound and a comfortable fit.

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Ed Gein: The Butcher of Plainfield

  • Actors: Kane Hodder, Adrienne Frantz, Michael Berryman, Priscilla Barnes, Shawn Hoffman.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1 EX). Subtitles: Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated R. Run Time: 90 minutes.
The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs...

From "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation -- and redefined the meaning of the word "psycho." The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence o! f unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile -- and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story -- recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.Harold Schechter is a historian: he takes old files and yellowed newspaper clippings, and brings their stories to life. Deviant is about everyone's favorite ghoul, Ed Gein--whose crimes inspired the writers of Psycho, Texas Chainsaw Massacre, and The Silence of the Lambs. Schechter deftly evokes the small-town 1950s Wiscons! in setting--not pretty farms and cheese factories, but infert! ile soil and a bleak, hardscrabble existence. The details of Gein's "death house" are perhaps well known by now, but the murderer's quietly crazy, almost gentle personality comes forth in this book as never before. As Gary Kadet wrote, in The Boston Book Review, "Schechter is a dogged researcher [who backs up] every bizarre detail and curious twist in this and his other books ... More importantly, he nimbly avoids miring his writing and our reading with minutiae or researched overstatement, which means that although he can occasionally be dry, he is never boring."
Also recommended: Schechter's books about Albert Fish (Deranged) and Herman Mudgett a.k.a. Dr. H. H. Holmes (Depraved).This is the true story of America’s first famous serial killer. Everyone in small Plainfield, Wisconsin thought Ed was just a little different, a local oddity. But Ed was tormented and haunted by years of family abuse and repression which led him to the brutal murder! s and mutilations of countless victims and corpses. In a remote farmhouse filled with the stench of death, Ed is driven to do unspeakable acts to his victims, acts that have become legend and the basis for future films like "Psycho" and the "Texas Chainsaw Massacre." This film will shock you with its unflinching horror and unforgettable performances from Steve Railsback and Carrie Snodgrass. No one will ever forget the true story of "Ed Gein."The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.The story of the killer Ed Gein is one of! the weirdest, most disturbing ever, one that has inspired hor! ror stor ies as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.

America may have had its fill of psychos for the last forty years, but none of them has inspired so many books and films (Pyscho, The Silence of the Lambs, The Texas Chainsaw Massacre) as Wisconsin's cannibalistic handyman, Ed Gein. None of them has been used as the ultimate ogre in countless children's stories and off-color jokes, and none of them has been found guilty of as many unspeakable atrocities as Ed Gein.

This is his story. This is his legend.
The gruesome murders shocked the world, the grisly remains told a terrifying story of pain, brutality and torture. Now, years! after inspiring PSYCHO's Norman Bates, SILENCE OF THE LAMBS's Buffalo Bill and THE TEXAS CHAINSAW MASSACRE's Leatherface, the story of real-life, serial killer Ed Gein is finally told. Nicknamed "The Butcher of Plainfield," Gein was responsible for a rash of gory murders that sent shock waves through his rural Wisconsin town, and across America, in the late 1950s. Prepare to enter the evil mind and twisted world of "The Butcher of Plainfield" in this dark and disturbing thriller.