America Freedom to Fascism

• Sobering documentary
• over 2 hours long
• Shocking
• Motivating
• Life Changing

Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006.

Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence.

Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Fre! quency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.Controversial and throught-provoking are two words that describe one of the most talked-about documentaries of 2006. Determined to find the law that requries American citizens to pay income tax, producer Aaron Russo (Bette Midler'sThe Rose, Trading Places) set out on a journey to find the evidence. Neither left nor right-wing, this startling examination of government exposes the systematic erosion of civil liberties in America since 1913 when the Federal Reserve system was fraudulently created. Through interviews with two U.S. Congressmen, former IRS Commissioner and former IRS and FBI agents, tax attorneys and authors, Russo connects the dots between money creation, federal income tax, and the national identity card, which becomes law in May 2008 and will use Radio Frequency Identification (RFID) technology. Could this be a precursor to an impending police state in America? Watch the film and make your own conclusions.

Birth

• In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.Running Time: 100 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 794043783821 UPC: 794043783821 Manufacturer No: N7838

Â"Well-researched and engaging . . . Birth is a clever, almost irreverent look at an enduring everyday miracle. (A-)” —Entertainment Weekly
Â"Wonderful. Packed full of information, a brilliant mixture of ancient wisdom and modern science.” —Kate Mosse, author of the New York Times best seller, Labyrinth
Â"Birth is a power-packed book. . . . A lively, engaging, and often witty read, a quirky, eye-opening account of one of life’s most elemental experiences.” —The Boston Globe
Published to widespread acclaim, Tina Cassidy’s smart, engaging book is the first world hi! story of childbirth in fifty years. From evolution to the epidural and beyond, Tina Cassidy presents an intelligent, enlightening, and impeccably researched cultural history of how and why we’re born the way we are. Women have been giving birth for millennia but that’s about the only constant in the final stage of the great process that is human reproduction. Why is it that every culture and generation seems to have its own ideas about the best way to give birth? Cassidy explores the physical, anthropological, political, and religious factors that have and will continue to influence how women bring new life into the world.

In this mesmerizing and suspenseful film, a woman (Kidman) becomes convinced that a ten-year-old boy is the reincarnation of her dead husband.

DVD Features:
DVD ROM Features
Theatrical Trailer

As directed by Jonathan Glazer (Sexy Beast) and dimly lit by cinematographer Harris Savides, Birth is a ! melancholy chamber piece, its pensive mood sustained by nearly! sub-son ic nuances in a fine, thematically developed score by Alexandre Desplat. All of these fine qualities are well-matched by the somber performance of Nicole Kidman, playing a still-grieving widow of 10 years, about to remarry when a 10-year-old boy (Cameron Bright) arrives to announce that he is her dead husband, reincarnated and full of convincing answers to personal marital questions. Rather than go for Sixth Sense-like chills and thrills, Glazer approaches Birth as a conundrum with no clear-cut solution, and his directorial style is so subdued, so deliberately understated, that most of the story's dramatic impact is sacrificed to oppressively dour atmosphere. If it doesn't lull you to sleep, Birth might hold your attention as a strange, subtle thriller in miniature scale. With its delicate, mature approach to the processes of grieving and recovery, however, Birth rewards attentive viewers attuned to the film's ultra-low-key wavelength, and it's gu! aranteed to provoke interesting post-movie discussions. Lauren Bacall, Danny Huston, Anne Heche, and Arliss Howard lead an esteemed supporting cast. --Jeff Shannon

Gray Matter

• From highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the p

In this hilarious romantic comedy, Gray (Heather Graham) helps her brother (Tom Cavanaugh) find the love of his life. But the night before her brother's wedding, Gray's world is turned upside-down when she discovers that she has feelings for his fiancé (Bridget Moynahan)! With the help of a sarcastic co-worker (Molly Shannon), a sympathetic cab driver (Alan Cumming), and her therapist (Oscar-winner Sissy Spacek), Gray is forced to figure out who she really is.Gray Matters has one of the most ado! rable casts of any movie in recent years--the combined sweetness of Heather Graham (Austin Powers: The Spy Who Shagged Me), Bridget Moynahan (Lord of War), Molly Shannon (Year of the Dog), Thomas Cavanagh (Ed), Alan Cumming (X-Men 2), and Sissy Spacek (Carrie, In the Bedroom) narrowly avoids being diabetes-inducing. Gray (Graham) and her brother Sam (Cavanagh) have been best friends forever--so close that they find it hard to date. Gray pushes Sam into asking out Charlie (Moynahan), but when Sam and Charlie hit it off so well they spontaneously decide to get married, Gray finds herself unexpectedly dismayed... but not as dismayed as she is when, on a girls' night out before the ceremony, she and Charlie share a drunken kiss that sets Gray's body tingling. Gray Matters juggles a lot of emotional issues; the sibling interconnectedness problem doesn't flow smoothly into the coming-out story of the movie's second half. Bu! t sprinkled throughout are charming scenes and wonderfully def! t moment s that make the story's clumsy missteps all the more baffling. There's no question that Graham is a star who just can't seem to find the right vehicle; Gray Matters won't be her breakthrough, but it's further evidence of her significant appeal. --Bret FetzerFrom highly acclaimed filmmaker Joe Berlinger (Brother's Keeper, Paradise Lost 1 & 2, Metallica: Some Kind of Monster)--one of the leading voices in American independent non-fiction cinema-comes Gray Matter, a riveting true-life mystery and perhaps the most baffling conspiracy story ever told about World War II. In the spring of 2002, Berlinger traveled to Vienna to witness the burial of the preserved brains from over 700 children who were experimented upon in a Nazi "euthanasia" clinic. Gray Matter chronicles the director's personal journey as he searches for forensic psychiatrist Dr. Heinrich Gross (notoriously nicknamed "the Austrian Dr. Mengele"), who allegedly participated in these mad-scientist trial! s for decades after the Holocaust and the end of the war. Along his path towards the unknown, Berlinger meets clinic survivors and other remarkable voices, each of whom has new light to shed upon this shadowy legacy and the nation that now grapples with its own denial. Is Dr. Gross alive? Is he in hiding? Should his advanced age and scientific aspirations be measured today against the accountability of his misdeeds? Raising provocative yet respectful questions of guilt, redemption and the ethics of mankind, Berlinger sorts out the twists in one of history's lesser-known, unsolved puzzles.

Let's Get Real or Let's Not Play: Transforming the Buyer/Seller Relationship

• ISBN13: 9781591842262
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Get Real begins with a couple of hedgehogs having sex, and deals with a topic just as prickly: gay love in adolescence. Steve (Ben Silverstone) is a student at a British school where everyone wears classy uniforms, knows he's gay, and is pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--in exploring the seriousness of adolescent life without taking it too seriously. The key is in S! ilverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Charlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret Fetzer

Can you change the world with your wallet?

You already do.
In this frank, teen-friendly manifesto, Mara Rockliff reveals what you’re really buying when you! spend your money on a cell phone, a cheap t-shirt, or fast fo! odâ€"and shows the way to better choices, both for people and the planet.

Start seeing the world for real, and discover how you can make a difference. You’ve got buying powerâ€"now let’s see you change the world for good!

 

GET REAL has been selected as an Honor Book in the Nonfiction category for the 2011 Green Earth Book Award.

Get Real begins with a couple of hedgehogs having sex, and deals with a topic just as prickly: gay love in adolescence. Steve (Ben Silverstone) is a student at a British school where everyone wears classy uniforms, knows he's gay, and is pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--! in exploring the seriousness of adolescent life without taking it too seriously. The key is in Silverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Charlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret FetzerGet Real begins with a couple of hedgehogs having sex, and deals with a topic ! just as prickly: gay love in adolescence. Steve (Ben Silversto! ne) is a student at a British school where everyone wears classy uniforms, knows he's gay, and is pretty comfortable being so. John (Brad Gorton), a top athlete and all-around admired guy, is just getting an inkling and isn't sure how he feels about it. This, cleverly, is how the movie manages to explore coming-out issues and be over them at the same time. In fact, the whole movie is pretty clever--witty dialogue, deft direction, nimble pacing, and clean editing--in exploring the seriousness of adolescent life without taking it too seriously. The key is in Silverstone's performance; he's a completely convincing mixture of hesitation and recklessness, all the conflicts of high school in one sweet-faced package. As the movie follows Steve and John's relationship--their evasions at school, getting picked up by the police in a park, goofing around in a heated swimming pool, grappling with coming out to the world at large--it lays out a bit of contrast with Steve's best friend Linda (Cha! rlotte Brittain), who's as unapologetically fat as Steve is gay, and who's having an affair with her driving instructor. Excellent performances all around, funny, sexy, charming--if only straight teen comedies were half this good. Get Real even demonstrates the proper etiquette when soliciting sex in public restrooms; what more can you ask for? --Bret FetzerIn Donald E. Westlake's classic caper novels, the bad get better, the good slide a bit, and Lord help anyone caught between a thief named John Dortmunder and the current object of his attention.

However, being caught red-handed is inevitable in Dortmunder's next production, when a TV producer convinces this thief and his merry gang to do a reality show that captures their next score. The producer guarantees to find a way to keep the show from being used in evidence against them. They're dubious, but the pay is good, so they take him up on his offer.

A mock-up of the OJ bar is built in a war! ehouse down on Va! rick Str eet. The ground floor of that building is a big open space jumbled with vehicles used in TV world, everything from a news truck and a fire engine to a hansom cab (without the horse).

As the gang plans their next move with the cameras rolling, Dortmunder and Kelp sneak onto the roof of their new studio to organize a private enterprise. It will take an ingenious plan to outwit viewers glued to their television sets, but Dortmunder is nothing if not persistent, and he's determined to end this shoot with money in his pockets.A pair of teenage boys growing up in a working-class neighborhood become aware of their homosexuality. While both were vaguely aware they might be gay, neither had ever acted on their impulses. Once they decide that they're attracted to each other, neither is sure just what to do. Winner of 4 International Film Festival Awards.This absolute winner, based on a stage play by Jonathan Harvey and adapted by him, is a kind ! of enchanted, urban slice-of-life tale about a gay teen, Jamie (Glen Berry), who is in love with the boy next door, Ste (Scott Neal). Hampering Jamie's progress on the romantic front is his fear that his mother (Linda Henry) will find out, as well as concern over complicating Ste's existing problems. Beautiful Thing is a relationship movie, to be sure, but that description doesn't really describe the buoyant tone of this British television production. Democratic in its inclusive regard for each character (whether camera-pretty or not), the film--well-directed by Hettie Macdonald--is full of surprises. Chief among them is the terrific personality of Jamie's mum, a strong and independent woman who truly worries over and adores her son. But this is a movie involved in a kind of happy dialogue with itself: the tunes of Mama Cass, for instance, play a part in both the story and overall ambience, while a strategic placement of the Rodgers and Hammerstein chestnut "Sixteen! Going on Seventeen" during an act of love is fun and exciting! . --T om KeoghThe new way to transform a sales culture with clarity, authenticity, and emotional intelligence.

Too often, the sales process is all about fear.

Customers are afraid that they will be talked into making a mistake; salespeople dread being unable to close the deal and make their quotas. No one is happy.

Mahan Khalsa and Randy Illig offer a better way. Salespeople, they argue, do best when they focus 100 percent on helping clients succeed. When customers are successful, both buyer and seller win. When they aren’t, both lose. It’s no longer sufficient to get clients to buyâ€"a salesperson must also help the client reduce costs, increase revenues, and improve productivity, quality, and customer satisfaction.

This book shares the unique FranklinCovey Sales Performance Group methodology that will help readers:

• Start new business from scratch in a way both salespeople and clients can feel good about
• Ask hard ! questions in a soft way
• Close the deal by opening minds

Sony DVP-SR200P/B DVD Player, Black

Sony’s DVP-SR200P is a versatile DVD player with many features at an affordable price. It delivers excellent picture and sound quality so you get the most out of your movies and use it to share photos with friends and families. The Precision Drive 3 system allows you to playback some DVDs that may have been damaged without a degradation of picture quality. In addition to being an excellent DVD player, it can also be used as your CD or MP3 player.  A perfect complement to your TV.

The Sony DVP-SR200P delivers excellent picture and sound quality.

 

Key Features

Precision Drive 3 System: Past generations of Precision Drive systems were only able to compensate for warped discs by moving the entire optical block, which took more time and limited the amount of correction possible. Sony's new Precision Drive 3 system simplifies the process by moving the lens-instead of the entire optical block-for faster and more accurate error correction.

MP3 Playback: Playing MP3 music on a Sony DVD Player is easy. Just insert an MP3 encoded disc and press MENU. A blue screen pops up to Display your folders. Scroll down the list using the remote or front panel cursor control to select the folder you want. The green files screen pops up to show the files in the selected folder. Select the file you want to hear and start listening.

Fast/Slow Playback with Sound: Fast and slow playback with sound lets you advance throu! gh scenes quickly without missing the dialog.

Mult i-Brand TV Remote Control: Switching back and forth between remote controls while watching television or a movie is a hassle. The remote control included with the DVP-SR200P allows you to operate most major brands of television and this DVD player.

Bilingual Carton Design (English and Spanish)

Progressive Output (480p)

DVD-RW (Video & VR mode) DVD-R/DVD+RW/DVD+R Playback

12 Bit Video DAC with 108Mhz Processing

Dolby Digita! l Decoding Compatible

Specifications

• Digital-to-Analog Converter: 6 Bit, 192 kHz
• CD Playback: (CD, CD-R, CD-RW)
• Dolby, Dolby Digital, Dolby Digital Decoding
• MP3 Playback
• Instant Replay/Search
• Multiple Disc Resume
• Disc Capacity: 1
• Energy Star Compliant: Yes
• Tray Type: Single Tray
• Coaxial Audio Digital Output: 1 (Rear)
• Component Video (Y/Pb/Pr) Output: 1 (Rear)
• Composite Video Output: 1 (Rear)
• RCA Audio Output: 1 (Rear)
• Power Requirements: AC 120V, 60Hz
• Dimensions (depth x height x width): 8.23 in. x 1.26 in. x 12.6in.

What's in the Box

DVP-SR200P DVD player, remote control (with batteries),  A/V cable, operating instructions

Dungeons & Dragons Fantasy Roleplaying Game: An Essential D&D Starter (4th Edition D&D)

• Double-sided dungeon map
• Cardstock character sheets and power cards
• 2 sheets of die-cut tokens for characters and monsters
• 64-page book for Dungeon Masters, with the rules of the game, advice on how to run the game, and adv
• 32-page book for players, with rules for character creation and a solo adventure

The best way to start playing the 4th Edition Dungeons & Dragons® Fantasy Roleplaying Game - in the classic D&D Red Box.

Designed for 1â€"5 players, this boxed game contains everything needed to start playing the Dungeons & Dragons Fantasy Roleplaying Game, including rules for creating heroes, advice for playing the Dungeon Master, a solo play adventure, and group-play adventure content. Learning the game has never been so easy!
 
Several different character races (dwarf, elf, halfling, and human) and classes (cleric, fighter,! rogue, and wizard) are presented, along with powers for each race and class. As the players’ heroes advance in level, they acquire new abilities, and the adventures become more challenging. This boxed game is designed for characters of levels 1â€"3.
 
Game components:
 
• 32-page book for players, with rules for character creation and a solo adventure
• 64-page book for Dungeon Masters, with the rules of the game, advice on how to run the game, and adventure content
• 2 sheets of die-cut tokens for characters and monsters
• Cardstock character sheets and power cards
• Double-sided dungeon map
• 6 polyhedral dice

Oster Professional 76918-126 Replacement Blade with AgIon Antimicrobial Coating for Classic 76/Star-Teq/Power-Teq Clippers, Size #2, 1/4" (6.3mm)

• Cuts 1/4 inch (6.3mm)
• Replacement blade for Oster Professional Models: #76076, #76054 & #76066
• Treated with AgIon antimicrobial coating to reduce blade bacteria up to 99%
• Made in USA

BARBERSHOP 2:BACK IN BUSINESS - DVD MovieIce Cube triumphantly returns as Calvin Palmer, proud proprietor of a neighborhood barbershop in Barbershop 2. The first Barbershop was a surprise smash; even more surprising is how good this sequel is. The plot isn't much--there's a corporate haircutting chain opening across the street, leading to the usual sentiments about the importance of small businesses and neighborhoods--but the well-conceived characters and the loose, genuine banter give this movie a striking richness of feeling. Barbershop 2 cuts back and forth in time, flashing back to when Eddie (garrulous Cedric the Entertainer), the shop's oldest and most outspoke! n barber, first came to work for Calvin's father. Glimpses of black history give weight to the modern-day struggles; most impressively, this device doesn't feel forced or cynical. Also returning are Eve, Troy Garity, and Sean Patrick Thomas; Queen Latifah (Bringing Down the House) is a new face on the block. --Bret FetzerDisc 1: BARBERSHOP 1 Disc 2: BARBERSHOP 2From the producers of Soul Food comes this "warm, generous" (The New York Times) taleabout a Chicago barbershop where razor-sharp comedy never goes out of style! Starring Ice Cube, Anthony Anderson, Sean Patrick Thomas, Eve and Cedric the Entertainer, Barbershop is both a "sweet, life-affirming movie" (N.Y. Daily News) and outrageous, bust-a-gut fun!Calvin (Ice Cube) is a would-be entrepreneur with big plans and running his family's barbershop isn't one of them. But when he impulsively sells the shop to a shady loan shark, he soon realizes just how important the neighborhood parlor is to him and just ho! w far he'll go to get it back!With enough lively banter to kee! p its cu stomers happy for years, Barbershop is a loose, lanky comedy with its heart--and its humor--in all the right places. Ice Cube plays Calvin, reluctant heir to his late father's barbershop on Chicago's South Side--a neighborhood institution that seems like a trap for a guy with bigger dreams. But Calvin is devoted to his employees and local customers, and when he makes an ill-considered deal with a loan shark (Keith David), the future of the barbershop hangs in the balance. There's a goofy subplot involving a stolen cash machine, but what gives Barbershop its abundant charm is its compassionate, feel-good vibe for its likable characters--not just scene-stealer Cedric the Entertainer (as Eddie the veteran barber, whose shaving lesson is a shining pearl of wisdom), but the entire well-chosen cast. It may seem like a lot of casual rap, but look and listen closely, and Barbershop will reward you with its danceable rhythms of life. --Jeff Shannon

In ! this companion book to the bestselling I Love My Hair, a young boy, Miles, makes his first trip to the barbershop with his father. Like most little boys, he is afraid of the sharp scissors, the buzzing razor, and the prospect of picking a new hairstyle. But with the support of his dad, the barber, and the other men in the barbershop, Miles bravely sits through his first haircut. Written in a reassuring tone with a jazzy beat and illustrated with graceful, realistic watercolors, this book captures an important rite of passage for boys and celebrates African-American identity.

Go back to the barbershop with Ice Cube, Cedric the Entertainer and an all-star cast in this "sharp, savvy"(Entertainment Weekly) sequel that's even "funnier than the first" (WWOR-TV)! Co-starring Sean Patrick Thomas and Eve, with a special appearance by Queen Latifah, Barbershop 2 isa "pleasing blend of humor, sentiment and commentary"(Los Angeles Times)! When a slick new clip joint cal! led Nappy Cutz opens across the street from his barbershop, Ca! lvin (Ic e Cube)and his haircutters must make a stand to save the shop from bankruptcyand the neighborhood from a shady development deal. But as Calvin scrambles to keep up with progress, he discovers that the best way to really seize the future...is to hang on tight to his roots.Ice Cube triumphantly returns as Calvin Palmer, proud proprietor of a neighborhood barbershop in Barbershop 2. The first Barbershop was a surprise smash; even more surprising is how good this sequel is. The plot isn't much--there's a corporate haircutting chain opening across the street, leading to the usual sentiments about the importance of small businesses and neighborhoods--but the well-conceived characters and the loose, genuine banter give this movie a striking richness of feeling. Barbershop 2 cuts back and forth in time, flashing back to when Eddie (garrulous Cedric the Entertainer), the shop's oldest and most outspoken barber, first came to work for Calvin's father. Glimpses o! f black history give weight to the modern-day struggles; most impressively, this device doesn't feel forced or cynical. Also returning are Eve, Troy Garity, and Sean Patrick Thomas; Queen Latifah (Bringing Down the House) is a new face on the block. --Bret FetzerFor over 100 years, Oster Professional products has consistently proven to be better equipped to understand and meet your styling needs. The line of Oster Professional blades offer superior quality, super sharp blades for precision professional styling and long life. AgIon antimicrobial coating protects your blades from growth of bacteria, mold & mildew.

Me, Myself & Irene, Broken Lizard's Club Dread, and Dude, Where's my Car? Triple Feature

• 3 movies!
• A Broken Lizard film!
• Films from a variety of years!
• Comedy!

Meet Jesse (Ashton Kutcher, TV's "That '70's Show") and Chester (Seann William Scott, American Pie), two dimwitted yet lovable party animals who wake up one morning with a burning question: Dude, Where's My Car? Their only clues are a matchbook cover from Kitty Kat strip club an a year's supply of pudding in the fridge. As they retrace their steps, these dudes are in for the ride of their lives, encountering hot alien chicks, dodging killer ostriches, and trying to score "special treats" from their ticked-off twin girlfriends. It's an outrageously sweeeeeet comedy adventure that's "totally entertaining all the way through... totally!"Sometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about bei! ng ridiculous, that it's thoroughly entertaining. Jesse and Chester (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. Dude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ! ludicrous babe & stoner movies, he would have written Dude,! Where's My Car? Also featuring a cameo by Andy Dick and more babes in bikinis than you can count. --Bret Fetzer Meet Jesse (Ashton Kutcher, TV's "That '70's Show") and Chester (Seann William Scott, American Pie), two dimwitted yet lovable party animals who wake up one morning with a burning question: Dude, Where's My Car? Their only clues are a matchbook cover from Kitty Kat strip club an a year's supply of pudding in the fridge. As they retrace their steps, these dudes are in for the ride of their lives, encountering hot alien chicks, dodging killer ostriches, and trying to score "special treats" from their ticked-off twin girlfriends. It's an outrageously sweeeeeet comedy adventure that's "totally entertaining all the way through... totally!"Sometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about being ridiculous, that it's thoroughly entertaining. Jesse and Che! ster (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. Dude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ludicrous babe & stoner movies, he would have written Dude, ! Where's My Car? Also featuring a cameo by Andy Dick and mo! re babes in bikinis than you can count. --Bret Fetzer DUDE WHERE'S MY CAR - DVD MovieSometimes, stupidity is its own reward. Dude, Where's My Car? is one of the most ridiculous movies ever made--so ridiculous, and so thoroughly cheerful about being ridiculous, that it's thoroughly entertaining. Jesse and Chester (Ashton Kutcher and Seann William Scott) wake up one morning with absolutely no memory of the night before, but they're confident they must have had a good time. An irate phone call from their girlfriends quickly makes it clear that they may have had too much of a good time, and will be branded as sucky boyfriends unless they set things right. The boys set out to get the anniversary gifts they have for the girls in Jesse's car... only Jesse's car seems to be missing. Which of course leads our heroes on a quest, during which they encounter a pot-smoking dog, khaki-wearing cultists, hot chicks from outer space, a cameo by Fabio, and a herd of wild ostriches. D! ude, Where's My Car? lacks the depth of character you might find in, say, a Bill & Ted movie, but the dialogue has an amazing spareness to it that gives it a kind of metaphysical splendor--if absurdist playwright Samuel Beckett had written ludicrous babe & stoner movies, he would have written Dude, Where's My Car? Also featuring a cameo by Andy Dick and more babes in bikinis than you can count. --Bret Fetzer Includes the following titles:

Disk 1: CLUB DREAD (UNRATED) Disk 2: SUPER TROOPERS Disk 3: DUDE! WHERE'S MY CAR3 film triple feature! Me, Myself and Irene Broken Lizard's Club Dread Dude, Where's My Car?