- ISBN13: 9780439728065
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Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, co! lored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.This is the sto! ry of how young Zeus, with a little help from six monsters, fi! ve Greek gods, an enchanted she-goat, and his mother, became god of gods, master of lightning and thunder, and ruler over all. in doing so, he learned a lot about family. Who knew that having relatives could be so complicated, even for a god?
Brian Karas says about his inspiration for this book, "I've been interested in working with myths, but I felt as though I needed a personal connection. I am of Italian and Greek descent so I started to think of my Greek heritage. But the world of Greek mythology was unknown to me and in a way felt inaccessible, until I learned more. The Greek believed their gods and goddesses to be, among other things, very human-like in their emotions and behavior. They had complicated family relations. They were flawed on many levels - they could be petty, impulsive and unreasonable. I started to recognize them. Then I travelled to Greece, I knew this place! This personal connection gave me what I felt I needed to work with a Greek myth. But which?
! "I am also interested in the beginnings of things. When I started researching I kept looking for the ultimate source, the very first account, and largely drew from Hesiod's Thegony. Being interested in origins, I was also drawn to the Greek's version of the very beginning of things and it was here that I settled on the story of Zeus. There is much written about his reign as ruler of heaven and earth but very little about his youth and rise to power. The story of how his mother hid him on the island of Crete is a familiar one but there was a big gap in everything I read of what happened in between his life as an infant and his glory days. Young Zeus is my account of how things might have gone for young Zeus and what led him to become the omnipotent almighty god that he was believed to be."
